CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
CHICAGO – Interpreting the ambling and sonic prose of author Thomas Pynchon has eluded filmmakers until now. Director Paul Thomas Anderson takes a whack at “Inherent Vice,” and although much of the film has his usual eminent vision, as a whole it makes for difficult sledding.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the new crime drama “Inherent Vice” starring Joaquin Phoenix from Paul Thomas Anderson!
CHICAGO – At times “Wild” resembles the hallucinatory fever dream of a dehydrated and delirious hiker (played by Reese Witherspoon), alone in the world. I only wish her fever dreams were more interesting for the rest of us.
CHICAGO – “The Good Lie” is a honorable film overview of the Sudanese “Lost Boys,” who were refugees from a horrific civil war in that African country. Many of those boys came to America, and producer Molly Smith (“The Blind Side”), with actors Ger Duany and Emmanuel Jal, were part of the team that brought the film to life.
CHICAGO – One of the finest places in the world to witness its best cinema is the Chicago International Film Festival, which is now hitting its golden year of 50. This year’s festival boasts a lineup of top tier entries from world renowned filmmakers, packaged in the distinct Chicago flavor that keeps the city on a level all its own.
CHICAGO – Maybe it’s the indeterminate time period that doesn’t rely on modern pop culture references or technology. Maybe it’s the sense that we’re watching a great Young Adult novel turned into a film. Maybe it’s the timeless themes of rebellion, love, and loss. Whatever it is, “Mud” already feels like a classic.
HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Mud’ With Matthew McConaughey, Reese WitherspoonSubmitted by HollywoodChicago.com on April 18, 2013 - 2:01pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of movie passes up for grabs to the advance screening of the highly anticipated “Mud” with Matthew McConaughey!
CHICAGO – McG’s “This Means War” could’ve been an interesting comedy if it had actually been about the undeniable love between its two male leads. Not since Lynn Shelton’s “Humpday” has a film so blatantly portrayed the homoerotic tendencies within close male friendships. Yet by denying its own subtext, the film is ultimately as clueless and insufferable as its one-note characters.
CHICAGO – McG’s “This Means War” with Chris Pine, Tom Hardy, and Reese Witherspoon is an aggressively annoying movie. It isn’t just bad. It grates. It frustrates. It baffles with its incompetence.
CHICAGO – Given my general aversion to modern soap operas, I was understandably nervous about reviewing Francis Lawrence’s “Water For Elephants,” an over-heated romance based on the best-selling book. Much to my surprise, this is an effective drama that should remind viewers of “the kind of movies they don’t make any more.” It would have been right at home in the Hollywood of the ’40s and ’50s and should make a satisfying rental for nearly any audience willing to go for the cheesy ride.