Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Maybe it’s the indeterminate time period that doesn’t rely on modern pop culture references or technology. Maybe it’s the sense that we’re watching a great Young Adult novel turned into a film. Maybe it’s the timeless themes of rebellion, love, and loss. Whatever it is, “Mud” already feels like a classic.
HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Mud’ With Matthew McConaughey, Reese WitherspoonSubmitted by HollywoodChicago.com on April 18, 2013 - 3:01pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of movie passes up for grabs to the advance screening of the highly anticipated “Mud” with Matthew McConaughey!
CHICAGO – McG’s “This Means War” could’ve been an interesting comedy if it had actually been about the undeniable love between its two male leads. Not since Lynn Shelton’s “Humpday” has a film so blatantly portrayed the homoerotic tendencies within close male friendships. Yet by denying its own subtext, the film is ultimately as clueless and insufferable as its one-note characters.
CHICAGO – McG’s “This Means War” with Chris Pine, Tom Hardy, and Reese Witherspoon is an aggressively annoying movie. It isn’t just bad. It grates. It frustrates. It baffles with its incompetence.
CHICAGO – Given my general aversion to modern soap operas, I was understandably nervous about reviewing Francis Lawrence’s “Water For Elephants,” an over-heated romance based on the best-selling book. Much to my surprise, this is an effective drama that should remind viewers of “the kind of movies they don’t make any more.” It would have been right at home in the Hollywood of the ’40s and ’50s and should make a satisfying rental for nearly any audience willing to go for the cheesy ride.
CHICAGO – Now that we’re so close to the holiday season, it means that the whole movie trailer landscape has changed yet again. We’ve spent the last three months watching the previews for the Christmas season blockbusters and the end-of-the-year Oscar hopefuls nonstop.
CHICAGO – While Robert “Twilight” Pattinson has persuasively branched out beyond his typecasting of reanimated and preternatural corpses, his miscast union in the tensionless “Water for Elephants” with pin-up circus spectacle Reese Witherspoon works as well as an elephant trying to spoon a sworn-enemy lion.
CHICAGO – You won’t find a much bigger fan of James L. Brooks’ “Broadcast News,” one of my favorite romantic comedies of the ’80s, but there’s simply no denying that he’s lost his touch for character that once made him one of the best living writers. It may not be quite as big a disaster as “Spanglish,” but his newest romantic comedy “How Do You Know,” recently released on Blu-ray and DVD, is a mess, a blend of unbelievable characters, awkward pacing, and forgettable plotting that makes it one of the biggest disappointments of 2010.
CHICAGO – Writer/Director James L. Brooks has been producing prime entertainment for nearly 50 years now, and proves he has not lost a step in ‘How Do You Know.’ This film of love, loss, power and especially romance is a great showcase for the talents of Reese Witherspoon, Paul Rudd, Owen Wilson and the great Jack Nicholson.
CHICAGO – How has Vince Vaughn become one of the most boring actors in America? It has little to do with his performances and everything to do with his career choices. Sure, Vaughn has pretty much made a habit out of playing the exact same guy since “Wedding Crashers”: a fast-talking, self-absorbed, overgrown adolescent whose funniest quips are delivered under the breath and between punch-lines.