CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Character actor Djimon Hounsou (Jee-mahn Hahn-soo) is memorable in any role he takes on – whether it’s working with Steven Spielberg in “Amistad,” or being so indelibly subtle for “In America.” Hounsou has also forged a true character in his voiceover work as Drago Bludvist in “How to Train Your Dragon 2.”
CHICAGO – “How to Train Your Dragon 2” is spectacular in 3D, the filmmakers actually geared the film to enhance that much maligned vision. It also features a warm and heroic story about the coming-of-age for the character Hiccup, and his now fully trained dragon, Toothless.
CHICAGO – You get the sense that a writer for the new “RoboCop” felt very proud of himself when he coined the cheeky word “robophobic” as a play on a current cultural hot button. The Samuel L. Jackson moment of self-fulfilled glory reminded me of the rest of the plot that was missing.
CHICAGO – When David Gordon Green’s “Your Highness” hit fans of its writer/director and talented stars like a really bad pot hangover, its creators admitted that the project began life as a stoned what-if scenario. “Hey, let’s make a pot-laced fantasy movie, dude.” Seth Rogen & Evan Goldberg’s “This is the End” clearly had similar origins.
CHICAGO – One of our best living filmmakers, one of our best working authors, and a teen heartthrob who has largely been known for looks over skill get into a slow-moving limousine in David Cronenberg’s adaptation of Don DeLillo’s “Cosmopolis” starring Robert Pattinson in almost exclusively one-on-one scenes with some great supporting actors and actresses.
HollywoodChicago.com Hookup: Free Guaranteed Tickets, Soundtracks to ‘Cosmopolis’ With Robert PattinsonSubmitted by HollywoodChicago.com on August 18, 2012 - 12:26pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 5 pairs of guaranteed movie tickets plus 2 free soundtracks up for grabs for new thriller “Cosmopolis” starring Robert Pattinson from David Cronenberg!
CHICAGO – Seann William Scott (“American Reunion”) does the best work of his career in the raunchy hockey comedy “Goon,” recently released on Blu-ray and DVD. Co-written by “Superbad” writer Evan Goldberg and co-star Jay Baruchel, this is a clever little sports comedy that should find a loyal audience on the home market.
CHICAGO – Seann William Scott gives a surprisingly engaging, even sweet performance as the title character in the brutal, raunchy hockey comedy “Goon,” written by “Superbad” scribe Evan Goldberg and comedy actor Jay Baruchel. This “Slap Shot meets Fight Club” is a definite must-see for hockey fans but feels a little too slight for everyone else. Still, there’s a lot to like here, especially for those who want an interesting alternative On Demand (it’s already available there and opening in Chicago theaters today, March 30th, 2012).
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 admit-two movie passes up for grabs to the advance screening of the new ice hockey comedy “Goon” starring Sean William Scott!
CHICAGO – Part satire, part black comedy, and part Hitchcockian thriller, the Canadian flick “Good Neighbors” just barely misses it mark by failing to deliver on its set-up. The problem with reviewing it is that I can’t really go into details on my issues with it without some serious spoilers, so I’ll just leave it as a simple criticism — I didn’t find the ending satisfying. There’s nearly enough that works about the first two acts of the film to warrant a rental for thriller fans, but don’t be surprised if the final act lets you down.