CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”
CHICAGO – Films with major movie stars that take real chances on story formula are rare. “Aloha” is one such example, and produces considerations that are way off the beaten path. Is it an allegory? An absurdity? An homage to 1960s paranoia? Only writer/director Cameron Crowe knows for sure.
CHICAGO – I understand why they did it. But that doesn’t make it right to do.
CHICAGO – A straightforward story about the military marksman Chris Kyle is pretty much told in “American Sniper,” by director Clint Eastwood. But what is left out of the movie – Kyle’s right-wing politics and a depiction of his fate – is more curious than what is actually presented.
CHICAGO – Sienna Miller creates illumination that a movie screen never forgets. From her early roles in “Alfie” and “Factory Girl,” to the more recent “Foxcatcher” and “American Sniper,” Miller adds an extra level of truth that generates expressive and notable characteristics to the roles that she portrays.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the highly anticipated new film “American Sniper” starring Bradley Cooper from director Clint Eastwood about Chris Kyle: the most lethal sniper in U.S. military history!
CHICAGO – “Guardians Of The Galaxy” is a gleeful Star Wars knockoff dressed up in Marvel Comics clothing. It occupies the same universe as Marvel’s other properties, but its tone is decidedly sillier. It has a spirit more akin to the later joke heavy installments of the Star Trek franchise or low budget exploitation mogul Roger Corman’s “Battle Beyond The Stars” than the ponderous pontificating of “Thor.”
An Oscar winner, a major Oscar nominee, two more pieces of Oscar bait, and a few movies that never got anywhere near Oscar. Welcome to What to Watch. We don’t play favorites. Oh, wait, yes we do. You should definitely rent or buy the titles on this first page. The second page is more optional.
As career con man Irving Rosenfeld (Christian Bale) introduces newly-undercover FBI agent Richie DiMaso (Bradley Cooper) to his world of criminal enterprise, he shows him a Rembrandt painting in a museum, revealing that it’s a fake. Millions of people have seen and admired it, not realizing that it’s not the original. Does it matter if they get the same artistic enjoyment out of it?
CHICAGO – With a lazy, over-plotted story, and a cast that are desperately going through the motions, “The Hangover Part III” is the latest example of a contract obligation disguising itself as a movie. Writer/director Todd Phillips sluggishly pounds out another one, with simply no originality.
CHICAGO – They often say that a movie is written three times - on paper, on film, and in the editing bay. Look no further for this truth than the deleted scenes from “Silver Linings Playbook,” recently released on Blu-ray and DVD. While some of the scenes are fun and allow Bradley Cooper, Jennifer Lawrence, and Robert De Niro more chances to shine, I would argue that all 26 minutes of them were correctly cut. If they hadn’t been, the movie’s not an Oscar winner.