The Weinstein Company

CHICAGO – Advertised deceptively as a comedy, the new film “My Idiot Brother” has a Zen-like quality that is surprising, and oddly captivating, but cannot sustain itself and eventually runs out of steam. Paul Rudd plays the brother to three errant sisters, portrayed by Elizabeth Banks, Zooey Deschanel and Emily Mortimer.

CHICAGO – The old saying, “those who cannot remember the past is doomed to repeat it” applies succinctly in “Sarah’s Key,” a Holocaust film with a French twist. Kristin Scott Thomas plays an American journalist who uncovers the facts in a less-remembered incident that reverberates to now.

CHICAGO – For every instance of “monumental” history, there are a series of events surrounding it that gets swept under the rug, but have the same bearing as the bigger occurrence. Director Gilles Paquet-Brenner tells one of those background stories in “Sarah’s Key,” a sorrowful piece of French history during World War II.

CHICAGO – In our latest comedy edition of HollywoodChicago.com Hookup: Film, we have 50 admit-two passes up for grabs to the advance Chicago screening of the new film “Submarine” from executive producer Ben Stiller with writer and director Richard Ayoade in attendance at this screening for a Q&A!

CHICAGO – I have shown a lot of love for “Blue Valentine,” putting it in my Top Ten Films of 2010 while also including its stars in my piece on The Best Performances of 2010. Clearly, I’m a fan. Rent the Blu-ray or DVD, hitting stores this week, and you’re likely to become one as well.

CHICAGO – No matter how many films he makes, Julian Schnabel may always consider himself a painter first. Watching one of his cinematic efforts is akin to being pulled headfirst into the vivid and visceral canvas of a true neo-expressionist. His work aims to engulf the viewer. It shatters the barriers between a contrived character’s existence and that of the flesh-and-blood audience.

CHICAGO – Julian Schnabel’s controversial new drama, “Miral,” tells a tale both sprawling and intimate. On one level, the film is about the titular Palestinian girl (Freida Pinto), and her coming of age during the Arab-Israeli war. On another level, the film is about a movement for peace, and the several generations of women whose acts of independence eventually set it into motion.

Rating: 5.0/5.0

CHICAGO – Derek Cianfrance’s “Blue Valentine,” my pick last month for the 9th best film of 2010, is a devastatingly genuine representation of the first and final chapters of a marriage. It is a powerful drama, partially made so by a fantastic script, but mostly due to two of the best performances of the year from Ryan Gosling and Michelle Williams. Don’t miss it.

Rating: 3.5/5.0

CHICAGO – Tom Hooper’s “The King’s Speech” has been barreling through the awards season with a number of significant nominations, including six from the Chicago Film Critics Association just today. I understand why. The film does nothing wrong. It features confident production values and good performances but never reaches the peak of excellence for this critic. “The King’s Speech” is a good film that’s been inflated by some viewers to great even if it doesn’t quite deserve the throne.

CHICAGO – The Weinstein Company (QTC) announced that Quentin Tarantino’s recent film “Inglourious Basterds” passed “Pulp Fiction” at the box office and is now his highest grossing film ever. “Basterds” has now grossed more than $108 million in North American box office sales since the film was released on August 21, 2009.