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Reservoir Dogs

Exclusive Portrait: ‘Reservoir Dogs’ Star Michael Madsen at Hollywood Blvd Cinema

Michael Madsen, photo by Joe Arce

CHICAGO – The classic rock song “Stuck in the Middle with You” was never the same again after Michael Madsen danced to it in a memorable sequence from Quentin Tarantino’s “Reservoir Dogs.” Madsen is at the Hollywood Blvd Cinema in Woodridge, Illinois, on Sunday, Sept. 23rd to introduce that film and meet fans.

Blu-Ray Review: Quentin Tarantino’s ‘Pulp Fiction,’ ‘Jackie Brown’

Pulp Fiction

CHICAGO – I’m old enough dear readers to vividly remember Quentin Tarantino’s premiere with “Reservoir Dogs” and then how much he took the world by storm with “Pulp Fiction,” a common choice for the best film of the ’90s. At the time, “Jackie Brown” seemed like a disappointment by comparison (how could it not?), but it is now widely respected and even beloved. These aren’t just good movies — they’re classics of their time. What more do you want from a pair of Blu-rays?

Brad Pitt’s ‘Inglourious Basterds’ Becomes Quentin Tarantino’s Highest-Grossing Film

Inglourious Basterds

CHICAGO – The Weinstein Company (QTC) announced that Quentin Tarantino’s recent film “Inglourious Basterds” passed “Pulp Fiction” at the box office and is now his highest grossing film ever. “Basterds” has now grossed more than $108 million in North American box office sales since the film was released on August 21, 2009.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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