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Reservoir Dogs

Exclusive Portrait: ‘Reservoir Dogs’ Star Michael Madsen at Hollywood Blvd Cinema

Michael Madsen, photo by Joe Arce

CHICAGO – The classic rock song “Stuck in the Middle with You” was never the same again after Michael Madsen danced to it in a memorable sequence from Quentin Tarantino’s “Reservoir Dogs.” Madsen is at the Hollywood Blvd Cinema in Woodridge, Illinois, on Sunday, Sept. 23rd to introduce that film and meet fans.

Blu-Ray Review: Quentin Tarantino’s ‘Pulp Fiction,’ ‘Jackie Brown’

Pulp Fiction

CHICAGO – I’m old enough dear readers to vividly remember Quentin Tarantino’s premiere with “Reservoir Dogs” and then how much he took the world by storm with “Pulp Fiction,” a common choice for the best film of the ’90s. At the time, “Jackie Brown” seemed like a disappointment by comparison (how could it not?), but it is now widely respected and even beloved. These aren’t just good movies — they’re classics of their time. What more do you want from a pair of Blu-rays?

Brad Pitt’s ‘Inglourious Basterds’ Becomes Quentin Tarantino’s Highest-Grossing Film

Inglourious Basterds

CHICAGO – The Weinstein Company (QTC) announced that Quentin Tarantino’s recent film “Inglourious Basterds” passed “Pulp Fiction” at the box office and is now his highest grossing film ever. “Basterds” has now grossed more than $108 million in North American box office sales since the film was released on August 21, 2009.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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