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Michelle Williams

Film Review: ‘All the Money in the World’ Has a Soft Landing

CHICAGO – A bitter and old rich man won’t take responsibility for the co-opting of something he is directly connected to. Is this the Trump administration or “All the Money in the World”? Christopher Plummer portrays mogul J. Paul Getty, trying to steer clear of his grandson’s kidnapping.

Film Review: Energy of Visual Cinema is the Power of ‘Wonderstruck’

CHICAGO – In one of the coolest visual films of the Fall Season thus far, “Wonderstruck” is another winner from director Todd Haynes (“Carol”), who adapts a Young Adult graphic novel by Brian Selznick (who also wrote the screenplay). The wonder of it all, baby.

Interview, Audio: Director Todd Haynes Becomes ‘Wonderstruck’

CHICAGO – Todd Haynes is an American auteur, as every one of his films bear the distinct mark of his creativity. From his beginnings with the indie masterpiece “Safe” (1995) through unforgettable films like “Far From Heaven” (2002), “I’m Not There” (2007) and “Carol,” Haynes has made cinematic art. His latest film is “Wonderstruck.”

Film News: Chicago Film Critics Association Names ‘Moonlight’ as 2016 Best Picture


CHICAGO – The poignant identity film “Moonlight” was named the 2016 Best Picture by the Chicago Film Critics Association (CFCA), in an announcement on December 15th. The film also took home the Best Director (Barry Jenkins) and Best Supporting Actor (Mahershala Ali) honors. “Manchester by the Sea” got the most honors, with four, from a voting survey of the CFCA.

Film Review: Casey Affleck Anchors ‘Manchester by the Sea’

CHICAGO – Tis the season for earnest character studies, and Casey Affleck in “Manchester by the Sea” has a doozy. Portraying a Boston guy with a mountain of sadness within, Affleck harbors the range of emotions like a coiled snake ready to strike, but manages to keep it all undercover.

Blu-ray Review: ‘Oz the Great and Powerful’ Sinks Like Leaky Balloon

Oz the Great and Powerful

CHICAGO – Sam Raimi’s “Oz the Great and Powerful” starts so promisingly. The full-frame black-and-white scenes that open the film have a clever charm as they introduce us to the title character (James Franco) and whisk him off to the legendary land of witches and talking scarecrows. And that scene where the film expands as he reaches his fantasy land is a beauty.

Film Review: Story Dims Visionary ‘Oz the Great and Powerful’

CHICAGO – “Oz the Great and Powerful” is a great and powerful visual and 3D experience. It expands the landscape of what cinema can produce in a visceral and evolutionary way. But a great film also needs a great story, and this Land of Oz tale is not equivalent to the awe-inspiring imagery.

Blu-ray Review: Great Performance From Michelle Williams Leads ‘Take This Waltz’

Take This Waltz

CHICAGO – “Take This Waltz” is one of my most personally divisive films of the year. What I mean is that for every element of the movie that I truly adore, there’s one that I loathe. In the former category, there’s Michelle Williams’ striking performance and director Sarah Polley’s eye for color. In the latter category, there’s Polley’s script, one that simply never resonates as truthful and carries some of the worst dialogue of the year. There are elements here that work but every one is balanced by something that drives me crazy.

Film Review: ‘Take This Waltz’ with Michelle Williams, Seth Rogen

CHICAGO – Sarah Polley’s “Take This Waltz” both illustrates its director’s uniquely confident vision as a filmmaker and her room to grow as a screenwriter. Despite the best efforts from a very talented cast led by a fearless performance from Michelle Williams, Polley’s film is frustrating in its inability to reflect the real world.

HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Take This Waltz’ With Michelle Williams, Seth Rogen

CHICAGODidja like “Blue Valentine”? Then you’ll love “Take This Waltz”! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 admit-two movie passes up for grabs to the advance screening of the highly recommended new film “Take This Waltz”!

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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