Noah Taylor

CHICAGO – Too many critics have casually dismissed Richard Ayoade’s directorial debut, “Submarine,” as a mere Wes Anderson imitation. Yes, the picture is chockfull of arty hipster posturing: chapter breaks, deadpan cutaway gags and hapless adults viewed by a sullen 15-year-old protagonist forever cloaked in a large black toggle coat. He’s like Bud Cort fused with the hyper-articulate eccentricity of Max Fischer.

Rating: 3.5/5.0

CHICAGO – Richard Ayoade’s debut comedy “Submarine” has such an incredibly strong first half that it almost makes the relative disappointment of the second half even more disappointing by comparison. A super-smart ending saves the piece from going out on the wrong note completely and the overall piece bodes well for whatever this talented director does next. Whatever flaws the film may have, it’s certainly unlike anything else in theaters right now and yet will likely remind certain viewers of beloved films like “The Graduate,” “Harold and Maude,” and “Rushmore.”

CHICAGO – There are few modern horror films that possess the power to shock an audience into a state of dazed, mouth-gaping awe. Audiences of increasingly young ages are well-accustomed to copious amounts of blood and gore. The excess of violence quickly and irrevocably numbs the senses. That may be why Simon Rumley’s “Red White & Blue” works so well. It plays on the mind rather than the gag reflex.

CHICAGO – The scariest aspects of a Simon Rumley picture aren’t in the form of ominous monsters or buckets of blood. They are instead hidden within the corners of a tormented human psyche. It’s the impulse for destruction that haunts every one of his characters in “Red White & Blue,” a deeply unsettling drama that transforms into a galvanizing horror film during its final act.

CHICAGO – In our latest comedy edition of HollywoodChicago.com Hookup: Film, we have 50 admit-two passes up for grabs to the advance Chicago screening of the new film “Submarine” from executive producer Ben Stiller with writer and director Richard Ayoade in attendance at this screening for a Q&A!

CHICAGO – As the Oscars are almost upon us, several studios have been releasing Academy Award juggernauts of the past like “Raging Bull,” “Dances With Wolves,” and “The Color Purple.” Consider the re-release of “Almost Famous,” in its “Untitled” form exclusively at Best Buy, an ugly duckling cousin of these releases. Yes, it won the Oscar for Best Original Screenplay (well-deserved) but it missed out on nods it should have received in multiple other categories. Yes, I’m still angry. “Almost Famous” is one of the best films of the ’00s and has held up beautifully since its release just over a decade ago.

CHICAGO – “Red White & Blue” is a deviously effective horror film precisely because it doesn’t appear to be one. There are subtle stylistic hints here and there, but nothing that truly signals the horrors to come. They emerge not from left field, but out of the character’s own pent up rage, and their increasing desire to inflict pain upon the world that has failed them.