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Guy Pearce

Film Review: Impulsive, Curious Tale of Dystopia in ‘The Rover’

The Rover, Guy Pearce
HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO –There is a profound interest in impulse within the work of Australian filmmaker David Michod, whose number of features finally reaches two with his anticipated followup to “Animal Kingdom,” “The Rover.” Even his co-writing work for Joseph Gordon-Levitt’s life-crasher movie “Hesher” is indicative of a storytelling force jazzed by that which is abrupt and unexplainable, and without worry of how polarizing these weirdo choices may be.

Film Review: ‘Iron Man 3’ Starts Summer with a Mechanized Bang

CHICAGO – Critics and viewers fell in rapturous adoration of the legend of The Dark Knight when Christopher Nolan and his team took the risk of making character-driven superhero movies. To kick off the second phase of the Marvel Universe of films with this weekend’s “Iron Man 3,” Shane Black and the team behind this guaranteed blockbuster have done the same – presenting us with the most human Marvel flick since “Spider-Man 2.”

Film Review: Tom Hardy Leads Great Cast in Disappointing ‘Lawless’

CHICAGO – John Hillcoat’s “Lawless,” based on Matt Bondurant’s “The Wettest County in the World,” is one of the most high profile disappointments of 2012, a film with an amazing cast that suffocates under the weight of an inconsistent script, a boring lead, and a complete lack of narrative drive.

Interview: Novelist Matt Bondurant on ‘Lawless’ Book-to-Film Adaptation

CHICAGO – Ernest Hemingway said the best way to handle Hollywood film adaptations is to meet at the border, throw your book in, have Hollywood throw the money back, and then run from each other in opposite directions. How does that astute observation apply today? Matt Bondurant had his novel adapted into the new film “Lawless.”

Film Review: Fascinating Journey to ‘Prometheus’ Makes For Bumpy Ride

CHICAGO – Ridley Scott’s “Prometheus” rides a wave of expectation, anticipation, hype, and an already-building backlash into theaters this weekend and all I have to say is something that most critics hesitate to do – you need to see this for yourself and make up your own mind.

Film Review: Guy Pearce, Maggie Grace in Annoying, Awful ‘Lockout’

CHICAGO – The annoying and boring “Lockout” is a pile of aggressive junk masquerading as a good time. Some critics and viewers will pretend that this is a “fun B-movie” just because it has a few over-the-top sequences (that look completely cartoonish), an absolutely ridiculous premise, and a scenery-chewing performance from the great Guy Pearce.

HollywoodChicago.com Hookup: 40 Pairs of Chicago Passes to ‘Lockout’ With Guy Pearce From ‘Taken’ Producers

Lockout with Guy Pearce

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 admit-two movie passes up for grabs to the advance screening of the highly anticipated new sci-fi/thriller “Lockout” starring Guy Pearce and Maggie Grace from the producers of “Taken”!

Film News: New Full-Length ‘Prometheus’ Trailer Released

Prometheus 2012

CHICAGO – A few months ago, the first teaser trailer for Ridley Scott’s new film “Prometheus” was released. The short trailer was met with excitement and buzz for the new film, which many consider to be the blockbuster they are most interested in seeing this summer; a summer which also includes “The Avengers,” “The Amazing Spider-Man,” and “The Dark Knight Rises” among many others.

Film Review: Nicolas Cage, Guy Pearce Find Boredom While They’re ‘Seeking Justice’

Seeking Justice
HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “Seeking Justice” must have been such a juicy proposition on paper. Director Roger Donaldson is coming off his most interesting film in years (“The Bank Job”), Nicolas Cage is overdue for a quality drama, Guy Pearce is one of our most interesting actors, and the supporting cast includes a number of interesting actors with recent TV hits – Jennifer Carpenter (“Dexter”), Harold Perrineau Jr. (“Lost”), and January Jones (“Mad Men”). The only thing you’ll be wondering during this inert alleged thriller is where it all went wrong.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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