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Jackie Brown

Blu-Ray Review: Quentin Tarantino’s ‘Pulp Fiction,’ ‘Jackie Brown’

Pulp Fiction

CHICAGO – I’m old enough dear readers to vividly remember Quentin Tarantino’s premiere with “Reservoir Dogs” and then how much he took the world by storm with “Pulp Fiction,” a common choice for the best film of the ’90s. At the time, “Jackie Brown” seemed like a disappointment by comparison (how could it not?), but it is now widely respected and even beloved. These aren’t just good movies — they’re classics of their time. What more do you want from a pair of Blu-rays?

Book Review: Elmore Leonard Takes His Crime-Writing Skills to ‘Djibouti’

Djibouti

CHICAGO – Well into his eighties, the great Elmore Leonard continues to churn out accomplished crime novels at a pace and skill level that shames men one-quarter his age. Time has not slowed one of the best crime writers of the last fifty years in any way and while his latest, “Djibouti,” may not stand as one of his best, it certainly does nothing to sully his amazing reputation.

Interview: Foxy! Pam Grier Remembers ‘My Life in Three Acts’

CHICAGO – Pam Grier has a strong, peaceful aura. After inventing the female action hero in her early 1970s hits “Coffy” and “Foxy Brown,” Grier has navigated her life through optimistic success. She was in Chicago for a book signing at Borders State Street, promoting ‘Foxy: My Life in Three Acts.”

Brad Pitt’s ‘Inglourious Basterds’ Becomes Quentin Tarantino’s Highest-Grossing Film

Inglourious Basterds

CHICAGO – The Weinstein Company (QTC) announced that Quentin Tarantino’s recent film “Inglourious Basterds” passed “Pulp Fiction” at the box office and is now his highest grossing film ever. “Basterds” has now grossed more than $108 million in North American box office sales since the film was released on August 21, 2009.

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    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

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