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Frédéric Pierrot

Film Review: ‘Declaration of War’ Combats Tragedy With New Wave Exuberance

Declaration of War Film Review

CHICAGO – Few semi-autobiographical explorations of high-stakes drama have ever been as playfully exuberant as Valérie Donzelli’s “Declaration of War.” Like Jonathan Levine and Will Reiser’s equally sublime “50/50,” this film is based directly on the real-life experiences of people who faced a cancer diagnosis and lived to tell the tale. Both pictures resist mawkish sentiment while delving into the rich textures and eccentricities of life.

Film Review: ‘Sarah’s Key’ Unlocks the Ever-Present Past

Sarah's Key

CHICAGO – The old saying, “those who cannot remember the past is doomed to repeat it” applies succinctly in “Sarah’s Key,” a Holocaust film with a French twist. Kristin Scott Thomas plays an American journalist who uncovers the facts in a less-remembered incident that reverberates to now.

Interview: Director Gilles Paquet-Brenner Opens the Door With ‘Sarah’s Key’

Sarah's Key

CHICAGO – For every instance of “monumental” history, there are a series of events surrounding it that gets swept under the rug, but have the same bearing as the bigger occurrence. Director Gilles Paquet-Brenner tells one of those background stories in “Sarah’s Key,” a sorrowful piece of French history during World War II.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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