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Jess Weixler

Film Review: Nick Offerman Stars in Episodic ‘Somebody Up There Likes Me’

CHICAGO – At the start, I’ll admit to kind of hating Bob Byington’s truly unusual “Somebody Up There Likes Me,” playing this weekend at the Music Box Theatre in Chicago with local actor and “Parks and Recreation” scene-stealer Nick Offerman in attendance. It’s such a mannered, unique piece that it verges on grating.

Feature: Bring the SXSW Film Festival Home With IFC Direct on Demand

Medicine For Melancholy

CHICAGO – Most film fans don’t have the time, money, or connections to get to film festivals in their own city, much less ones that take place out of town. The festival circuit has created many an independent film hit but most of them don’t make their way to even Chicago much less the small towns of America. Now you can bring the film festival experience home with IFC Direct.

Sundance Winner ‘Teeth’ Bites Right to Point of Men’s Greatest Sexual Fear

CHICAGO – In one of the great light bulb ideas that could only happen in association with making movies, along comes “Teeth” to bite us in the – well, to bite us hard. Writer and director Mitchell Lichtenstein has fashioned a one-of-a-kind horror epic (based, of course, on a Japanese film) that at the same time tangles with significant social and cultural issues.


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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Jack Reacher with Tom Cruise

    CHICAGO – “Jack Reacher” doesn’t work as an action movie. However, if you approach the mannered dialogue and dark storytelling as a noir, which is what I believe the writer and director (if not the marketing team at Paramount) intended, then there’s a lot to like here. It’s a stylized, slick, well-made ride with some crackling dialogue, charismatic performances, and heavy doses of style.

  • Safe Haven

    CHICAGO – At its best, Lasse Hallstrom’s “Safe Haven,” based on the book by the insanely popular Nicholas Sparks, is merely safe, Lifetime Channel TV Movie junk. At its worst, it’s pretty offensive and exploitative of women actually stuck in abusive situations and men forced into single parenthood after losing a spouse. As he has done before, Sparks takes real-world issues and turns them into manipulative devices. Hallstrom (“Chocolat”) has enough filmmaking skill to keep it from getting too boring despite the attempts on the part of the two remarkably dull leads to put you to sleep.

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