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Interview: Director Rebecca Miller Executes ‘Maggie’s Plan’

CHICAGO – Quirky Greta Gerwig is at it again (being quirky), and this time she’s looking for solutions in “Maggie’s Plan.” The made-in-New-York-City film has overtures of Woody Allen, combined with “Crossing Delancey.” Director Rebecca Miller (“Personal Velocity”) produces a valentine to all her influences and settings.

Film Review: Amy Schumer Way Too Conventional in ‘Trainwreck’

Trainwreck front

CHICAGO – In one of the most anticipated comedies of the summer, Amy Schumer breaks out of her edgy role as a stand-up and sketch artist to put her spin on the film universe in “Trainwreck.” She plays the lead role, is directed by the comic-reputable Judd Apatow, and she wrote the script. Why is it so “meh”?

Film Review: ‘Inside Out’ is a Loving Masterwork of Pixar Animation

CHICAGO – It starts with the imagination, and the story that comes from that lightning inner creativity. Nobody, it seems, does it better than Pixar Animation, and they are taking it all to a new level. For your consideration, and in a perfect world a candidate for Best Picture, “Inside Out.”

Film Review: Lives Interact in ‘The Disappearance of Eleanor Rigby: Them’

CHICAGO – There was something blank within “The Disappearance of Eleanor Rigby: Them,” although it dealt with the issues of loss, family and reconciliation. The all star cast, including Jessica Chastain, James McAvoy and William Hurt, add their performing spins to the story.

Film Review: Parts Are Better Than the Whole in ‘The Skeleton Twins’

CHICAGO – Live from the movies, it’s Bill Hader and Kristen Wiig! The two “Saturday Night Live” veterans are “The Skeleton Twins,” and both have more to do than just be funny. There are moments that sink or swim, depending on the “Twins,” and those parts are greater than the narrative sum.

Film Review: ‘They Came Together’ Sharply Skewers the Rom-Com

CHICAGO – If there is any genre of film that needs a good blasting, it is the romantic comedy. These silly fantasies practically seem like satires anyway, so when the comic genius of writer/director David Wain ponders them, and casts Paul Rudd and Amy Poehler as the “couple,” the funny will fly.

Film Feature: The 10 Best Films of Sundance 2014

The instant-response nature of our media has forced a bizarre question on nearly every minute of the Sundance Film Festival — “Is it a GOOD year?” Journalists and festival goers talk in hushed tones about the first time they saw beloved Sundance films like “Clerks,” “Bottle Rocket,” “Winter’s Bone,” or “Beasts of the Southern Wild” and wonder if there’s anything this year to compare. Personally, I had a spectacular year.

2014 Sundance Diary, Day 3: Comedies with an Edge

I’ve only seen three movies since my last dispatch — Sundance is about finding the time to write whenever you have it and it just comes earlier today than it did yesterday — but one was a true gem. So I’ll be brief.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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