CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – Elisabeth Moss is the ‘Actor of Her Generation.’ She is a true chameleon, and can anchor a lead role while still expressing a twitch of consequence. The subject is depression in “Queen of Earth,” and writer/director Alex Ross Perry is able to honestly portray it through Moss.
CHICAGO – Jason Schwartzman likes to portray writers – he was one in his HBO series “Bored to Death” – and he portrays one in his latest film, “Listen Up Philip.” He also has played many characters in director Wes Anderson’s universe, and did a fantastic turn as composer Richard M. Sherman in last year’s “Saving Mr. Banks.”
CHICAGO – Don Draper (Jon Hamm) is no longer the most popular person in the room. Time, depression, alcoholism, and the changing politics have altered this character, once such a vital force of human nature. Remember the days when everything Don said hit with the client? When he could juggle secret pasts and multiple mistresses? One of the most prominent arcs of “Mad Men” overall has been how that Don is fading away as the ’60s head toward the next decade.
CHICAGO – The 1957 novel “On the Road” by Jack Kerouac, was a missile across the bow of American social conventions, and a precursor to the radical 1960s. For over fifty years, it has eluded a film adaptation, until director Walter Salles (“The Motorcycle Diaries”) found the way to capture it.
CHICAGO – One of most important counterculture novels in American literature history is “On the Road,” by Jack Kerouac. First published in 1957, the film rights were purchased at the time, but it took over fifty more years to get it onto the screen. Director Walter Salles (“The Motorcycle Diaries”) took on the adaptation.
CHICAGO – Jane Campion’s “Top of the Lake,” premiering tonight on The Sundance Channel, is one of the best things you’ll watch on TV this year. It’s a stunning accomplishment that gets deeper, more complex, and more fascinating as it goes along. With spectacular work by Elisabeth Moss (“Mad Men”) and typically fantastic turns from Peter Mullan & Holly Hunter, this is a must-see.
CHICAGO – It may feel like the bloom is off the rose a little bit for “Mad Men” as the AMC hit has seen some of its acclaim stolen by other cable hits like “Breaking Bad,” “Homeland,” and “The Walking Dead.” And yet this is still a great show with yet another stellar Blu-ray season release from Lionsgate. Complete with commentaries and interesting special features, this release is in keeping with the stellar first four season releases for this multi-Emmy-Award winner.
Slideshow: 21-Image Gallery For ‘The 64th Annual Emmy Awards’ Including Sofia Vergara, Christina HendricksSubmitted by BrianTT on September 24, 2012 - 7:35am
CHICAGO – This 21-image slideshow contains a selection of red carpet images from “The 64th Annual Emmy Awards”. Celebrities snapped include Kat Dennings, Jimmy Fallon, Bryan Cranston, Christina Hendricks, Elisabeth Moss, Max Greenfield, Sofia Vergara, Claire Danes, Julianne Moore, Juliana Marguilies, Cat Deeley, Matthew Perry, Jim Parsons, and many more.
CHICAGO – The long-awaited return of AMC’s four-time Emmy Best Drama winner “Mad Men” is finally here and there seems to be more doubt than ever before. Will the 17 months since a new episode hurt the show creatively? Can “Mad Men” stay as culturally important and creatively consistent this far into its run or will it start to struggle?
CHICAGO – Superheroes may appear relatively sure-footed, but they are on shaky ground with modern audiences. The sense of awe evoked so effortlessly in Richard Donner’s 1978 classic “Superman” is practically impossible to pull off these days. Comic book adaptations have to be entrenched in realism (as in “The Dark Knight”) to truly wow audiences. Fantastical superpowers and pure-hearted morality just seem so passé.