Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Don Draper (Jon Hamm) is no longer the most popular person in the room. Time, depression, alcoholism, and the changing politics have altered this character, once such a vital force of human nature. Remember the days when everything Don said hit with the client? When he could juggle secret pasts and multiple mistresses? One of the most prominent arcs of “Mad Men” overall has been how that Don is fading away as the ’60s head toward the next decade.
CHICAGO – The 1957 novel “On the Road” by Jack Kerouac, was a missile across the bow of American social conventions, and a precursor to the radical 1960s. For over fifty years, it has eluded a film adaptation, until director Walter Salles (“The Motorcycle Diaries”) found the way to capture it.
CHICAGO – One of most important counterculture novels in American literature history is “On the Road,” by Jack Kerouac. First published in 1957, the film rights were purchased at the time, but it took over fifty more years to get it onto the screen. Director Walter Salles (“The Motorcycle Diaries”) took on the adaptation.
CHICAGO – Jane Campion’s “Top of the Lake,” premiering tonight on The Sundance Channel, is one of the best things you’ll watch on TV this year. It’s a stunning accomplishment that gets deeper, more complex, and more fascinating as it goes along. With spectacular work by Elisabeth Moss (“Mad Men”) and typically fantastic turns from Peter Mullan & Holly Hunter, this is a must-see.
CHICAGO – It may feel like the bloom is off the rose a little bit for “Mad Men” as the AMC hit has seen some of its acclaim stolen by other cable hits like “Breaking Bad,” “Homeland,” and “The Walking Dead.” And yet this is still a great show with yet another stellar Blu-ray season release from Lionsgate. Complete with commentaries and interesting special features, this release is in keeping with the stellar first four season releases for this multi-Emmy-Award winner.
Slideshow: 21-Image Gallery For ‘The 64th Annual Emmy Awards’ Including Sofia Vergara, Christina HendricksSubmitted by BrianTT on September 24, 2012 - 8:35am
CHICAGO – This 21-image slideshow contains a selection of red carpet images from “The 64th Annual Emmy Awards”. Celebrities snapped include Kat Dennings, Jimmy Fallon, Bryan Cranston, Christina Hendricks, Elisabeth Moss, Max Greenfield, Sofia Vergara, Claire Danes, Julianne Moore, Juliana Marguilies, Cat Deeley, Matthew Perry, Jim Parsons, and many more.
CHICAGO – The long-awaited return of AMC’s four-time Emmy Best Drama winner “Mad Men” is finally here and there seems to be more doubt than ever before. Will the 17 months since a new episode hurt the show creatively? Can “Mad Men” stay as culturally important and creatively consistent this far into its run or will it start to struggle?
CHICAGO – Superheroes may appear relatively sure-footed, but they are on shaky ground with modern audiences. The sense of awe evoked so effortlessly in Richard Donner’s 1978 classic “Superman” is practically impossible to pull off these days. Comic book adaptations have to be entrenched in realism (as in “The Dark Knight”) to truly wow audiences. Fantastical superpowers and pure-hearted morality just seem so passé.
CHICAGO – Like a lot of comedies, “Get Him to the Greek,” now available on Blu-ray and DVD, actually plays better at home than it did in theaters. It doesn’t hurt that the Universal Blu-ray is a beauty, a package with excellent, hilarious special features that enhance the film instead of serving as mere filler. It’s one of the best comedy BD releases of the season.
CHICAGO – Taking a character who was created as an obnoxious supporting one and giving him his own spin-off movie sounds like a recipe for disaster. Despite generally liking its stars and enjoying “Forgetting Sarah Marshall,” I was dreading the quasi-sequel “Get Him to the Greek”. There were just too many screenwriting pitfalls in which the film could have and should have fallen in.