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Good vs. Evil Brightly Entertaining in ‘The Dark Tower’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Nobody does good vs. evil archetypes like author Stephen King, and this framework is purposeful in the film adaptation of King’s “The Dark Tower.” The popular book series gets a visual kick through the rendering of director Nikolaj Arcel and Ron Howard’s Imagine Entertainment.

‘Rough Night’ is More Than Just a Diamond in the Rough

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The idiotic notion in Hollywood (and in the basements of fanboy mothers everywhere) that women can’t be funny is a joke in itself. Women have been forced to prove themselves on the male-dominated comedic circuit and have come out as successful as their male counterparts. “Rough Night”, despite all of its flaws, is just the most recent example of that.

Suspenseful ‘Life’ is Tense, Compelling Science Fiction

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Combining the invasion elements of “Alien” with the life-raft-in-space morbidity of “Gravity,” the new film “Life” maintains a grip from the enlightened beginning to the twisted end. Mars is the origin, so the film joins “The Martian” and “The Space Between Us” in sourcing the red planet.

‘Inferno’ Was Damned From The Start

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – You can’t keep a good conspiracy down. Tom Hanks returns to a role we thought had joined the pages of history his character was so eager to uncover. Like the previous films in the franchise, “Inferno” promises to deliver a new problem to solve even though they never attempt to fix any of the cinematic and narrative flaws from its past.

‘Ghostbusters’ Entertains, But Lacks the Paul Feig Edge

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO –Throughout the reboot of “Ghostbusters,” it becomes obvious that co-writer/director Paul Feig (“Bridesmaids,” “The Heat”) is just going to do a straight re-do of the 1984 film, because the film lacks his sardonic touch, even though it does entertain and has the requisite big special effects.

Reverent, Joyful & Inspirational Jesus in ‘Risen’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – I am a recovering Catholic, which I’ll tell you a million times – or maybe shortly after I meet you – and I have to say I had a well of nostalgia while experiencing “Risen,” the story of Jesus’s Resurrection and aftermath. It is enjoyable, in a strange way, for Christians and film fans alike.

‘Concussion’ Can’t Quite Tackle its Difficult Subject

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – “Concussion” suffers from what I call the “Moneyball” problem – it’s got an interesting subject matter, but it doesn’t seem to know what to do with it. It doesn’t have enough faith in its own material or its audience, so it stocks up on a lot of off-the-shelf melodrama in effort to avoid digging into what makes the story interesting in the first place. It’s also a movie that chickens out at the end and seems afraid to pick a fight.

Spirit Starts Early in Fun, Raunchy ‘The Night Before’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The tradition of the holiday party gets a workout in “The Night Before,” as three friends take a Christmas Eve walk through the environs of New York City, and make their merry journey an unforgettable night of libation enhancement, magic moments and yes, the Holiday Spirit.

Drac Pack Still a Drag in ‘Hotel Transylvania 2’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – For the younger set unable to experience the mystique of Dracula, Wolfman and Frankenstein in their original creations, “Hotel Transylvania 2” may prove to be an introduction to the legendary bloodsucker and his band of movie monsters – and for that Adam Sandler deserves a stake through his heart.

Uneven ‘Annie’ Makes Some Very Bad Decisions

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The diabetes-inducing Broadway musical “Annie” does not deserve two film versions – including the newest release – especially since both are tortuous and somewhat dark. The “modern” version even eliminates most of the strength that “Annie” possessed on stage, its chipper songs.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bobby Pin Girls

    CHICAGO – The “breeder years” are difficult on everyone, as the biological imperative becomes overwhelming and the couplings that result yield both discovery and misadventure. Nothing Without a Company’s new play “Bobby Pin Girls” highlight two such Millennial women, roommates who are having man trouble, although the argument can be made that it’s eternally “boy trouble.” The show has a Thursday-Sunday run at the Chicago Mosaic School through December 3rd, 2017. Click here for more details, including ticket information.

  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

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