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M. Night Shyamalan

M. Night Shyamalan Returns, Full of Personality in ‘Split’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – M. Night Shyamalan is a complicated filmmaker whose work seems to reflect a variety of different sides to the artist. “The Visit” marked a return to a new, yet familiar side of Shyamalan that most of us thought blew away with “The Last Airbender.” It seems “Split” marks the return/re-emergence of the too-long departed Shyamalan that we thought was buried in the past.

M. Night Shyamalan Offers Chills, Laughs in ‘The Visit’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Director and auteur M. Night Shyamalan has been very spotty in the last nine years. “The Sixth Sense” filmmaker has had less of an impact with “After Earth” and “The Last Airbender,” but scores again with the super weird, creepy and funny “The Visit.”

‘After Earth’ Proves M. Night Shyamalan’s Checkmate With Mismatched Smith Family

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – Oscar accolades are a godsend, but so are they an affliction. They’re the ultimate vote of respect from your industry, but then you’ve got to keep being as genius as they thought you were. In M. Night Shyamalan’s case, it’s all gone downhill since his 1999 smash-hit “The Sixth Sense,” which was nominated for six of these portly golden statues.

Horrendous ‘After Earth’ Insults Entire Planet

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – The “sci” in M. Night Shyamalan’s sci-fi blockbuster “After Earth” clearly stands for Scientology and not science. There’s nothing remotely approaching honest science in this boring, preachy, horrendously made film that occasionally looks good but has nothing more worthwhile to say than a pamphlet trying to get you to convert to a cult. “Danger is real. Fear is a choice.

Awful Execution Fails Clever Concept of ‘Devil’

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – Being a hardcore fan of anthology series like “The Twilight Zone” and “Tales From the Crypt,” the simple set-up of “Devil,” the new horror film based on a story by and produced by M. Night Shyamalan, intrigued me — five people are stuck in an elevator and one turns out to be the devil. Sadly, the concept is the only interesting thing about this horribly-executed tale from the dull side of the genre.

Director M. Night Shyamalan Too Talky, Murky in ‘The Last Airbender’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – The choices that M. Night Shyamalan makes in the progress of his filmography have become as perplexing as his early mysteries. “The Last Airbender,” featuring Dev Patel from “Slumdog Millionaire,” is an adaptation of a previous animated series, and although aimed at kids in the end seems tentative and…aimless.

M. Night Shyamalan’s ‘The Happening’ a Creepy, Paranoid Ride Through Today’s Environment

HollywoodChicago.com Oscarman rating: 3.5/5
Rating: 3.5/5.0

CHICAGO – Trying to understand the thought process of writer and director M. Night Shyamalan is akin to analyzing Jell-O. What keeps it wiggling and what binds it together?

“The Happening,” which is his latest creepy film, is a modern cautionary tale ripped from the collective sensibilities of life after Sept. 11, 2001 and the status of human beings in their interaction with today’s environment.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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