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Rupert Grint

Annoying, Inconsistent ‘Charlie Countryman’ with Shia LaBeouf

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – What happens when you give people two months in Romania to make a movie about a lost soul dealing with grief, love, drug use, and general excess? You get a spoiled, bizarre, annoying piece of work like “Charlie Countryman,” starring talented people given absolutely nothing to do that proves that talent. It’s a film more in love with slow-motion shots of its abrasive lead running to electronic dance music than anything approaching character or plot. It’s like watching the travel video of the most annoying guy you know.

It All Ends With Satisfying ‘Harry Potter and the Deathly Hallows: Part 2’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – So this is how it ends – not with a whimper but with a big, magical bang. After a decade of captivating movie audiences worldwide, will “Harry Potter and the Deathly Hallows – Part 2” appease the fans who have been eagerly anticipating the end of the saga of the boy who lived? It almost certainly will.

‘Harry Potter and the Deathly Hallows: Part 1’ is the Darkest, Loneliest Potter Film Yet

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – While “Harry Potter and the Deathly Hallows: Part 1” is the most murky and forlorn Potter film yet, its most grave battle is the internal question between the corporate and creative types. Did the splitting of a single finale film into two parts truly improve on its ability to impart this grand tale or was it purely for financial reaping? From what we see in part one of the seventh film in this franchise, it turns out the answer is a lot of both.

‘Harry Potter and the Half-Blood Prince’ Discovers the Wizard of Awe

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The Harry Potter phenomenon, born from the pen of J.K. Rowling and nurtured through the utter magic of modern filmmaking, has reached a monumental creative peak with the film “Harry Potter and the Half-Blood Prince.”

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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