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Rupert Grint

Annoying, Inconsistent ‘Charlie Countryman’ with Shia LaBeouf

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – What happens when you give people two months in Romania to make a movie about a lost soul dealing with grief, love, drug use, and general excess? You get a spoiled, bizarre, annoying piece of work like “Charlie Countryman,” starring talented people given absolutely nothing to do that proves that talent. It’s a film more in love with slow-motion shots of its abrasive lead running to electronic dance music than anything approaching character or plot. It’s like watching the travel video of the most annoying guy you know.

It All Ends With Satisfying ‘Harry Potter and the Deathly Hallows: Part 2’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – So this is how it ends – not with a whimper but with a big, magical bang. After a decade of captivating movie audiences worldwide, will “Harry Potter and the Deathly Hallows – Part 2” appease the fans who have been eagerly anticipating the end of the saga of the boy who lived? It almost certainly will.

‘Harry Potter and the Deathly Hallows: Part 1’ is the Darkest, Loneliest Potter Film Yet

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – While “Harry Potter and the Deathly Hallows: Part 1” is the most murky and forlorn Potter film yet, its most grave battle is the internal question between the corporate and creative types. Did the splitting of a single finale film into two parts truly improve on its ability to impart this grand tale or was it purely for financial reaping? From what we see in part one of the seventh film in this franchise, it turns out the answer is a lot of both.

‘Harry Potter and the Half-Blood Prince’ Discovers the Wizard of Awe

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The Harry Potter phenomenon, born from the pen of J.K. Rowling and nurtured through the utter magic of modern filmmaking, has reached a monumental creative peak with the film “Harry Potter and the Half-Blood Prince.”

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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