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Jonathan Groff

Disney’s ‘Frozen’ Enchants Viewers This Holiday Season

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

Disney’s marvelous “Frozen” fits snugly in the lineage of princess stories that the studio has been crafting for decades while also looks forward to empower girls in ways that its predecessors never considered. It is a remarkably fun movie, especially in 3D, alive in ways that so many of its peers in this lackluster year for animation simply are not. With great voice work, fantastic music, and a script that feels like its themes emerge naturally from its story and characters instead just being forced upon them, “Frozen” is Disney’s best animated feature since “The Lion King.”

‘C.O.G.’ is a Touching Indication of Life’s Crossroads

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – Finding identity, especially in the post-collegiate twentysomething time of life, is often fraught with accidental circumstance and heartache. The new film “C.O.G.,” adapted from a short essay from author David Sedaris, is a beautifully sensitive comedy about that rocky identity road, portrayed through a youthful and somewhat clueless preppy from Yale.

Ang Lee’s ‘Taking Woodstock’ Lays Down Too Mellow a Vibe to Be Memorable

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – More about the vibe surrounding the three days of peace and love that would become the most influential festival in history than the actual music itself, Ang Lee’s “Taking Woodstock” is a frustrating drama with individual elements that work but a cinematic set list that is ultimately disjointed and unsatisfying.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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