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Zooey Deschanel

Paul Rudd Makes a Difference as ‘Our Idiot Brother’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Advertised deceptively as a comedy, the new film “My Idiot Brother” has a Zen-like quality that is surprising, and oddly captivating, but cannot sustain itself and eventually runs out of steam. Paul Rudd plays the brother to three errant sisters, portrayed by Elizabeth Banks, Zooey Deschanel and Emily Mortimer.

Danny McBride, James Franco Falter With Dreadful ‘Your Highness’

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – “Your Highness” just makes me sad. Rarely have so many talented people been sucked into such an unfunny disaster as what will surely be one of the biggest disappointments of the year.

Joseph Gordon-Levitt, Zooey Deschanel Connect in ‘(500) Days of Summer’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Romantic comedies have been so sanitized, obviously for the protection of the movie consumer, that it is refreshing to meet a reality-based couple as they interact, co-mingle, love and clash in “(500) Days of Summer.”

M. Night Shyamalan’s ‘The Happening’ a Creepy, Paranoid Ride Through Today’s Environment

HollywoodChicago.com Oscarman rating: 3.5/5
Rating: 3.5/5.0

CHICAGO – Trying to understand the thought process of writer and director M. Night Shyamalan is akin to analyzing Jell-O. What keeps it wiggling and what binds it together?

“The Happening,” which is his latest creepy film, is a modern cautionary tale ripped from the collective sensibilities of life after Sept. 11, 2001 and the status of human beings in their interaction with today’s environment.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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