Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Experiencing an unfunny comedy is one of the most painful time wasters in the movie going adventure – not only will that time never come back, but wanting to laugh when no motivation for hilarity is produced is like having eternal hiccups. “Baggage Claim” (hic) is (hic) that (hic) sort of movie.
CHICAGO – There’s no logical reason at all for a FIFTH “Resident Evil” movie to be any good at all, especially given how poorly the series has gone since the relatively-fun first installment. I approached “Resident Evil: Retribution” with an understandably heavy amount of trepidation. Most Paul W.S. Anderson movies are a complete waste of time.
CHICAGO – Despite the exhaustion most of us have with the 3D trend by now, if there’s any franchise that should have benefited from the 3D rollercoaster, it would be the one based on “Resident Evil.” Zombies and Milla in 3D?!? Sign me up. And I wasn’t alone as the film made a stunning $300 million worldwide (more than double any other film in the franchise). Sadly, the traditional Blu-ray proves that 3D was the main reason for not just the film’s success but its very existence. It doesn’t work without it.
CHICAGO – The timing of “Undercovers” might be inopportune — the notion of CIA super spies adding to the deficit by overextending their expense accounts — yet the show itself is bright and exciting with beautiful actors and settings. But despite the presence of J.J. Abrams of “Lost,” it doesn’t break any new ground.