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Boris Kodjoe

Film Review: ‘Baggage Claim’ is Equivalent of a Crash Landing

CHICAGO – Experiencing an unfunny comedy is one of the most painful time wasters in the movie going adventure – not only will that time never come back, but wanting to laugh when no motivation for hilarity is produced is like having eternal hiccups. “Baggage Claim” (hic) is (hic) that (hic) sort of movie.

Blu-ray Review: Surprisingly Fun ‘Resident Evil: Retribution’

Resident Evil: Retribution

CHICAGO – There’s no logical reason at all for a FIFTH “Resident Evil” movie to be any good at all, especially given how poorly the series has gone since the relatively-fun first installment. I approached “Resident Evil: Retribution” with an understandably heavy amount of trepidation. Most Paul W.S. Anderson movies are a complete waste of time.

Blu-Ray Review: Boring ‘Resident Evil: Afterlife’ Falls Flat in 2D

Resident Evil: Afterlife

CHICAGO – Despite the exhaustion most of us have with the 3D trend by now, if there’s any franchise that should have benefited from the 3D rollercoaster, it would be the one based on “Resident Evil.” Zombies and Milla in 3D?!? Sign me up. And I wasn’t alone as the film made a stunning $300 million worldwide (more than double any other film in the franchise). Sadly, the traditional Blu-ray proves that 3D was the main reason for not just the film’s success but its very existence. It doesn’t work without it.

TV Review: J.J. Abrams-Produced ‘Undercovers’ is Stylish, Familiar

CHICAGO – The timing of “Undercovers” might be inopportune — the notion of CIA super spies adding to the deficit by overextending their expense accounts — yet the show itself is bright and exciting with beautiful actors and settings. But despite the presence of J.J. Abrams of “Lost,” it doesn’t break any new ground.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Knick, The

    CHICAGO – Cinemax’s ominous new series “The Knick” is a hospital drama that’s very much in the voice of its director, Steven Soderbergh. Set in New York City at the turn of the 20th century, the series presents the medical world as it inches closer and closer to modernity, while making contemporary parallels to the desperate hustle by surgery room clients and their doctors alike regarding treatment of the human body. What has changed in the politics of medicine? What hasn’t?

  • Transcendence

    CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

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