CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.
CHICAGO – Nothing says the holiday season like a film about lobbying and politics. If you read that sarcastically, you’d be wrong. “Miss Sloane” offers a female spin for an otherwise male-dominated political landscape. Most of you are trying to tune out politics after the elections, but this film builds off of that momentum by reminding us how we arrived to that point.
CHICAGO – The United States is still fighting the Civil War, which ended in 1865. The rebellious South has never completely given away its anger and sorrow for the changes the war has wrought on them. These larger themes are examined historically in the new film, “Free State of Jones.”
CHICAGO – “Concussion” suffers from what I call the “Moneyball” problem – it’s got an interesting subject matter, but it doesn’t seem to know what to do with it. It doesn’t have enough faith in its own material or its audience, so it stocks up on a lot of off-the-shelf melodrama in effort to avoid digging into what makes the story interesting in the first place. It’s also a movie that chickens out at the end and seems afraid to pick a fight.
CHICAGO – The City of Chicago has more than their share of Hollywood here, as represented by local filmmakers Lana and Andy Wachowski. The siblings have made sure that the Windy City is well represented in their latest science fiction film release, “Jupiter Ascending.” Chicago plays a prominent role in the film, which opened on February 6th, 2015.
CHICAGO – “Jupiter Ascending” is certainly one of the oddest and densest of sci-fi movies, this side of “Dune,” and has some of the most laughable acting and dialogue seen in a major film in awhile. But the worst offense is that the film is dull, and practically without emotion or human empathy.
HollywoodChicago.com Hookup: 50 Pairs of Passes to ‘Jupiter Ascending’ With Mila Kunis, Channing TatumSubmitted by HollywoodChicago.com on January 31, 2015 - 1:15pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 50 pairs of advance-screening movie passes up for grabs to the highly anticipated new fantasy film “Jupiter Ascending” starring Mila Kunis and Channing Tatum from Andy Wachowski and Lana Wachowski (“The Matrix“ films)!
CHICAGO – Writer/Director Gina Prince-Bythewood, the creator of the cult favorite “Love & Basketball,” is back with another original story that she created, an intimate and romantic perspective on a singer on the path to nowhere, despite superstar-level fame. Gugu Mbatha-Raw stars as that singer in “Beyond the Lights.”
CHICAGO – The show business life is ripe for drama, and the new film “Beyond the Lights” explores the difficulties of the the superstar reaches of the music business, through a Beyoncé-type singer. Actress Gugu Mbatha-Raw plays Noni, and the film’s director is Gina Prince-Bythewood (“Love & Basketball”).
HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Beyond the Lights’ From ‘Love & Basketball’ FilmmakerSubmitted by HollywoodChicago.com on November 10, 2014 - 11:26pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening movie passes up for grabs to the new drama “Beyond the Lights” starring Gugu Mbatha-Raw (“Belle”) from the writer and director of “Love & Basketball”!
CHICAGO – The 2014 edition of the 50th Chicago International Film Festival kicked off on October 9th with a spectacular presentation of “Miss Julie,” directed by the legendary Liv Ullmann, featuring Colin Ferrell and Jessica Chastain. The following evening was the Black Perspective Gala, at which the spotlight was on “Beyond the Lights,” starring Gugu Mbatha-Raw and directed by Gina Prince-Bythewood.