CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – There’s no logical reason at all for a FIFTH “Resident Evil” movie to be any good at all, especially given how poorly the series has gone since the relatively-fun first installment. I approached “Resident Evil: Retribution” with an understandably heavy amount of trepidation. Most Paul W.S. Anderson movies are a complete waste of time.
CHICAGO – In a subpar, mediocre and entirely disposable sort of way, Paul W.S. Anderson’s “The Three Musketeers” could prove diverting for undiscerning viewers, particularly those in the lower double digits. Everyone else has already steered clear of this unnecessary remake helmed by the king of junk entertainment, who mistakenly believed this dreck would lead to a franchise.
CHICAGO – Richard Linklater’s “Dazed and Confused” is not just a fun comedy, not just a clever slice of nostalgia, and not just a stoner movie. It is, without question, one of the best films of the ’90s. It passes through nostalgia to something more like a time machine, in a way not that dissimilar to George Lucas’ “American Graffiti.” A deeply personal project from one of our best modern writer/directors, “Dazed and Confused,” recently released on Criterion Blu-ray and re-released on Criterion DVD, gets better with each passing year.
CHICAGO – Seriously?!?! Another “The Three Musketeers”?!?! Just because source material is beloved, why does it need to be remade over and over again? Perhaps Paul W. S. Anderson’s new take on the legendary trio complete with “Resident Evil”-esque action sequences can serve as the final word on this over-done story although if it somehow ends being the only version that future generations end up seeing they will surely wonder why such a boring tale was retold so many times in the first place.
HollywoodChicago.com Hookup: 35 Pairs of Chicago Passes to ‘The Three Musketeers’ With Milla JovovichSubmitted by HollywoodChicago.com on October 16, 2011 - 1:58am
CHICAGO – In our latest action/romance edition of HollywoodChicago.com Hookup: Film, we have 35 admit-two movie passes up for grabs to the highly anticipated advance Chicago screening of “The Three Musketeers” starring Milla Jovovich and Orlando Bloom!
CHICAGO – Is there something special about 8/9/11 like 4:20? The notorious smoke-down time is well-known but I ask about August 9th because it’s a date with a massive influx of pot-themed movies, including new hits like “Paul” and “Your Highness” (which we’ll cover with full reviews soon) and re-releases of classics like “Dazed and Confused” and “Fast Times at Ridgemont High,” both hitting the HD format tomorrow. It’s a stoner free-for-all!
CHICAGO – There was a time when the union of two actors as accomplished as Robert De Niro and Edward Norton would make movie news headlines. And, to be fair, John Curran’s “Stone” was chosen to open the Chicago Internation Film Festival in large part due to the pedigree of its stars. But viewers are smarter than they used to be. They know now that a movie’s success is not solely dependent on the talent of its leads. And while De Niro and Norton are two of our best actors (and they are amply supported by two great female turns as well), “Stone” just doesn’t work.
CHICAGO – Despite the exhaustion most of us have with the 3D trend by now, if there’s any franchise that should have benefited from the 3D rollercoaster, it would be the one based on “Resident Evil.” Zombies and Milla in 3D?!? Sign me up. And I wasn’t alone as the film made a stunning $300 million worldwide (more than double any other film in the franchise). Sadly, the traditional Blu-ray proves that 3D was the main reason for not just the film’s success but its very existence. It doesn’t work without it.
CHICAGO – Ed Norton and Robert De Niro used to be two of the most consistent actors alive, both with streaks of amazing, Oscar-nominated films that guarantee them places in the history books.
CHICAGO – Many filmmakers speak of going against the grain. By virtue of desiring to take a road less traveled, though, often you’re actually going with the same grain as everyone else who wants to be different.