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Oscar Week: Kumail Nanjiani, Emily V. Gordon of ‘The Big Sick’

Kumail & Emily V. of the 'The Big Sick'

CHICAGO – One of the surprise hits of 2017 was a film based on a true life courtship incident, that the now husband and wife – Kumail Nanjiani and Emily V. Gordon – fashioned into a comedy. “The Big Sick” is nominated for Best Original Screenplay, and the duo behind it talked to HollywoodChicago.com last summer.

Film Review: ‘The Commuter’ is a Fun, Butt-Kicking Good Time

CHICAGO – Sometimes you’re just in the mood for a good old Liam Neeson ass-kicker… and “The Commuter” fits that bill. It asks, damn near requires, you to leave your brain safely at the station, but it moves too fast that you don’t have much time to think about it. It’s ludicrous, dumb and fun entertainment for January.

Film Review: Gunplay & Violence Fuel Heroics in ‘American Assassin’

American Assassin

CHICAGO – There was another mass shooting (eight dead) in Texas this week, but it was underreported because it didn’t involve “undesirables” and just seemed like another week in America. This blithe attitude towards guns, gunplay and violence continues in the movies, this week with the overindulgent release “American Assassin.”

HollywoodChicago.com Hookup: 75 Pairs of Passes to ‘Stronger’ With Jake Gyllenhaal

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 75 pairs of advance-screening movie passes up for grabs to the new film “Stronger” starring Jake Gyllenhaal based on the inspiring true story of the Boston Marathon bombing!

Interview, Audio: Kumail Nanjiani, Emily V. Gordon of ‘The Big Sick’

CHICAGO – One the hottest films to come out of the Sundance Film Festival in January was “The Big Sick,” which was written by Kumail Nanjiani (Dinesh in “Silicon Valley”) and his wife Emily V. Gordon. It is the based-on-truth story of the couple’s initial meeting, and the circumstances surrounding their early dating life.

Film Review: ‘Power Rangers’ Reboot is a Stunning Bore

CHICAGO – The big budget “Power Rangers” reboot tests the limits of just how pedestrian a supposed $100 million dollar blockbuster can be. Part of that is due to the fact that superhero movies are a dime a dozen these days, and a movie has to have something more than just silver screen quality special effects to set it apart.

Film Review: ‘The Shack’ is About Spirituality, Not Filmmaking

CHICAGO – To create spirituality from tragedy is like shooting the proverbial fish – a prominent symbol for Christianity – in a barrel. “The Shack” is based on a popular novel, and doesn’t try to do anything different or cinematic with a man encountering the Holy Trinity after a horrific incident.

Film Review: ‘John Wick: Chapter 2’ Adds Artistry to Mass Murder

CHICAGO – It takes a special kind of film that enthralls the audience so much that they stop caring about the body count and are more concerned with the main character running out of bullets. “John Wick: Chapter 2” offers the same cathartic effect as watching a Nazi get punched but in an infinitely more picturesque package.

Film Review: ‘La La Land’ Will Create Love for Musicals Again

CHICAGO – “La La Land” has the spirit of an old time “Singin’ In The Rain”-type Hollywood musical, but this is no throwback or revival. It brings that spirit into the modern age and gets it to live, breathe, and thrive once again. It’s a beautiful technicolor spectacle that celebrates the whimsy of musicals, while finding a way to translate it credibly and wonderfully to the modern age.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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