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Film Review: ‘Power Rangers’ Reboot is a Stunning Bore

CHICAGO – The big budget “Power Rangers” reboot tests the limits of just how pedestrian a supposed $100 million dollar blockbuster can be. Part of that is due to the fact that superhero movies are a dime a dozen these days, and a movie has to have something more than just silver screen quality special effects to set it apart.

Film Review: ‘The Shack’ is About Spirituality, Not Filmmaking

CHICAGO – To create spirituality from tragedy is like shooting the proverbial fish – a prominent symbol for Christianity – in a barrel. “The Shack” is based on a popular novel, and doesn’t try to do anything different or cinematic with a man encountering the Holy Trinity after a horrific incident.

Film Review: ‘John Wick: Chapter 2’ Adds Artistry to Mass Murder

CHICAGO – It takes a special kind of film that enthralls the audience so much that they stop caring about the body count and are more concerned with the main character running out of bullets. “John Wick: Chapter 2” offers the same cathartic effect as watching a Nazi get punched but in an infinitely more picturesque package.

Film Review: ‘La La Land’ Will Create Love for Musicals Again

CHICAGO – “La La Land” has the spirit of an old time “Singin’ In The Rain”-type Hollywood musical, but this is no throwback or revival. It brings that spirit into the modern age and gets it to live, breathe, and thrive once again. It’s a beautiful technicolor spectacle that celebrates the whimsy of musicals, while finding a way to translate it credibly and wonderfully to the modern age.

Interview: Damien Chazelle & Rosemarie DeWitt of ‘La La Land’

CHICAGO – Bringing the musical movie genre back requires a bit of nostalgia, a nod to modernity and always old fashioned star power. Writer/director Damien Chazelle (“Whiplash”) combined all three to produce “La La Land,” with Emma Stone and Ryan Gosling as star-crossed lovers. Rosemarie DeWitt also has a featured role.

Film Review: ‘American Pastoral’ Should Have Been Put to Pasture

CHICAGO – Change can be a frightening part of life and the human experience. It is an unavoidable but often necessary transition for progress. If you fight change or innovation, the stagnation alone will weigh you down and hold you back. “American Pastoral” may deal with the themes of revolution, but that’s about all that is revolutionary or unique about this film.

Film Review: ‘Blair Witch’ Takes a Familiar Trail to a Dead End

Blair Witch

CHICAGO – The forest is an elusive environment that can hold hope for one person or isolation for another. You can enter the forest for some Thoreauvian wisdom, but end up being engulfed by its overwhelming monotony. As we revisit the world of “Blair Witch”, we are reminded that the found footage genre has come a long way from its humble origins, but perhaps some footage is better off not “found.”

Red-Carpet Video Interviews: ‘Café Society’ Filmmaker Woody Allen

Woody Allen, Cafe Society red carpet

CHICAGO – HollywoodChicago.com presents our red-carpet video coverage of the “Café Society” premiere in Chicago on July 21, 2016. We interview legendary filmmaker Woody Allen along with executive producer Ron Chez and Metropolitan Capital Bancorp Chairman/CEO Michael Rose at the Chicago History Museum.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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