CHICAGO – Excelsior! Comic book legend Stan Lee’s famous exclamation puts a fine point on the third and final play of Mark Pracht’s FOUR COLOR TRILOGY, “The House of Ideas,” presented by and staged at City Lit Theater in Chicago’s Edgewater neighborhood. For tickets/details, click HOUSE OF IDEAS.
Mckenna Grace
Busted! Audio Film Review of ‘GhostBusters: Frozen Empire’
Submitted by PatrickMcD on March 23, 2024 - 1:01pm- Annie Potts
- Audio
- Bill Murray
- Carrie Coon
- Columbia Pictures
- Dan Aykroyd
- Eddie Volkman
- Emily Alyn Lind
- Ernie Hudson
- Finn Wolfhard
- Ghostbusters: Frozen Empire
- Hannah B
- HollywoodChicago.com Content
- Kumail Nanjiani
- Mckenna Grace
- Movie Review
- New York City
- Pat Über TV
- Patrick McDonald
- Paul Rudd
- Scott Thompson
- WBGR-FM
- WSSR-FM
Rating: 2.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com audio film review for “Ghostbusters: Frozen Empire,” a sequel to the reboot of 2021, which was adapted from the 1984 classic and featuring OGs Bill Murray, Dan Akyroyd, Harold Ramis and Ernie Hudson. In theaters since March 22nd.
Who Ya Gonna Call in ‘Ghostbusters: Afterlife’
Submitted by PatrickMcD on November 19, 2021 - 10:19amRating: 3.0/5.0 |
CHICAGO – This latest attempt to revive the beloved 1980’s franchise is a curious rumination on nostalgia. It’s so heavily indebted to the original, references are treated as holy relics to be revered and worshiped. But it also makes the compelling case – to begin with – for the futility of trying to turn the film into a franchise.
Spirit Moves She! On-Air Review of ‘Spirit Untamed’
Submitted by PatrickMcD on June 4, 2021 - 4:48amRating: 4.5/5.0 |
CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on June 3rd, 2021, reviewing the new Dreamworks animated film “Spirit Untamed” in theaters beginning June 4th.
Horror is Worth a Visit in 'Annabelle Comes Home'
Submitted by JonHC on June 26, 2019 - 6:48amRating: 3.0/5.0 |
CHICAGO – There is such an unnerving quality to older dolls, which is why they lend themselves so perfectly to horror stories. There’s just an unsettling feeling when looking at their static expression, usually plastered with a permanent smile that gives me terrible flashbacks to when I worked retail. Oddly enough, “Annabelle Comes Home” similarly elicits familiar feelings of terror but channels it through an 80’s horror homage.