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Julianne Moore

Pre-Apocalyptic Darkness Found in ‘Maps to the Stars’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – There is a moral darkness in director David Cronenberg’s “Maps to the Stars” that is hard to shake. It is filled with circumstance and souls right at the edge of insanity, polluted by an atmosphere that doesn’t give them much of a chance. The apocalypse is now, and living in Los Angeles.

Following a Two-Year Delay, ‘Seventh Son’ Should Have Been Shelved

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I can’t decide which is worse: the “fake deep talk” from Jeff Bridges in “Seventh Son” or the “angry whisper talk” from Eddie Redmayne in “Jupiter Ascending,” which also opened on Friday. Both speech impediments are ugly fish out of water, both films are getting punished by critics and both are underperforming at domestic box offices.

Julianne Moore Delivers Shattering Portrayal in ‘Still Alice’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – In one of the best film acting performances from 2014, Julianne Moore devastatingly portrays a woman in her fifties who is a victim of early onset Alzheimer’s disease. As the effects of dementia physically deteriorates her life, it is a wonder if she is “Still Alice.”

‘The Hunger Games: Mockingjay – Part 1’ Shouldn’t Have Been Split in Two

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – My issue with the “one movie split into two parts” debate isn’t even about money, which is clearly the main reason why we’ve seen blockbuster films do it like the two-part “Harry Potter and the Deathly Hallows” and now the two-part “The Hunger Games: Mockingjay”.

Moving On in ‘The Hunger Games: Mockingjay – Part 1’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – The über popular “The Hunger Games” series is back, splitting the final novel into two movie parts, Harry Potter style. Subtitled “Mockingjay - Part 1,” this is the beginning of the end of the story, setting up rather than knocking down.

Liam Neeson Can’t Bring ‘Non-Stop’ in On-Time

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

I’m a sucker for a well-toasted slice of escapism that employs a singular setting to maximum impact. Liam Neeson trapped on a plane with a devious killer who’s trying to extort $150 million from him? Where do line up to buy a ticket? Seriously, this is the kind of Oscar counter-programming that I love this time of year—turn off your mind and take a trip with “Non-Stop”.

Performances Carry Update of Horror Classic ‘Carrie’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Director Kimberly Peirce (“Boys Don’t Cry”) doesn’t convey the dread or atmosphere of Stephen King’s “Carrie” to a degree that elevates it to the source material’s true potential but she does handle performance in a way that’s rare in the genre, making this remake one of the best horror films of the season.

Sins of Modern Parenting Are ‘What Maisie Knew’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – When mixing parenting responsibility, the separation of those parents and a legal system that cannot address the farce of human retaliation, the results become “What Maisie Knew.” Julianne Moore portrays a rock star, and the mother to the title character.

Robert De Niro Triumphs Again in ‘Being Flynn’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – The intensity that Robert De Niro puts into his movie characters had slackened a bit, as he bent his reputation on more commercial roles. But Director Paul Weitz has revived the old legend with a meaty, purposeful character, and De Niro delivers it with his old fire. ‘Being Flynn’ is not a comeback, but a gratefully received reboot.

Steve Carell, Ryan Gosling in Great ‘Crazy, Stupid, Love.’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Crazy, Stupid, Love.” is undeniably clichéd, broad in its humor, and a bit manipulative in its sentimentality, but it should be. This is a movie about grand statements, soulmates, and true passion, a film that unabashedly believes in the craziness and the stupidity of what we call love. It’s also one of the most purely entertaining films of the year.

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