Julianne Moore
Robert De Niro Triumphs Again in ‘Being Flynn’
Submitted by PatrickMcD on March 9, 2012 - 5:09pm.![]() Rating: 4.5/5.0 |
CHICAGO – The intensity that Robert De Niro puts into his movie characters had slackened a bit, as he bent his reputation on more commercial roles. But Director Paul Weitz has revived the old legend with a meaty, purposeful character, and De Niro delivers it with his old fire. ‘Being Flynn’ is not a comeback, but a gratefully received reboot.
Steve Carell, Ryan Gosling in Great ‘Crazy, Stupid, Love.’
Submitted by BrianTT on July 28, 2011 - 2:17pm.![]() Rating: 4.0/5.0 |
CHICAGO – “Crazy, Stupid, Love.” is undeniably clichéd, broad in its humor, and a bit manipulative in its sentimentality, but it should be. This is a movie about grand statements, soulmates, and true passion, a film that unabashedly believes in the craziness and the stupidity of what we call love. It’s also one of the most purely entertaining films of the year.
Annette Bening, Julianne Moore Out in the Light With ‘The Kids Are All Right’
Submitted by PatrickMcD on July 9, 2010 - 6:06am.![]() Rating: 3.0/5.0 |
CHICAGO – It is Hollywood that is often ahead of the social curve, expressing in art what most people can’t fathom in real life. “The Kids Are All Right” is that type of consciousness, depicting a committed lesbian couple – played by Annette Bening and Julianne Moore – coming to grips with transitions occurring with their kids.
Colin Firth Plays a Wistful Game of Solitaire in ‘A Single Man’
Submitted by PatrickMcD on December 26, 2009 - 8:13am.![]() Rating: 4.5/5.0 |
CHICAGO – There is a certain madness in the shock of grieving over a loved one who has passed that manifests itself in particular ways. Colin Firth interprets those emotions intuitively in the captivating “A Single Man.”
Julianne Moore Pushes Freudian Implications to Limit in True Story of ‘Savage Grace’
Submitted by HollywoodChicago.com on June 15, 2008 - 9:56am.![]() Rating: 3.0/5.0 |
CHICAGO – The national acting treasure Julianne Moore never shies away from a performance challenge.
From her memorable exposure in Robert Altman’s “Short Cuts” to her willingness to go all the way in Paul Thomas Anderson’s “Boogie Nights,” Moore has proven that true vulnerability in a role requires the ability to bare – and bear with – all.





