CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
Lost in Translation
CHICAGO – She’s conquered the box office as the top grossing female star of all time, and she’s had a series of big superhero and prestige films. The Gene Siskel Film Center honored Scarlett Johansson with their Renaissance Award, at the Ritz Carlton in Chicago on June 20th, 2016.
CHICAGO – Sofia Coppola’s films are intriguing in a way that’s often difficult to put into words. I often find my attention drifting during my initial viewing of them, and yet they somehow manage to linger in my mind long after others have faded. Her problematic costume drama, “Marie Antoinette,” has become one of my favorite films to leave on in the background of a room, simply for the pleasure of dwelling in its subtly nuanced atmosphere.
CHICAGO – As Sofia Coppola’s excellent “Somewhere” with Stephen Dorff and Elle Fanning begins to roll out across the country (read our review), catch up with Coppola’s best film, one of the best of the ’00s, the great “Lost in Translation,” now available on Blu-ray for the first time. The release is mostly just a tie-in with a filmmaker’s current release but there is a new special feature — basically a commercial for “Somewhere.” It’s not a fantastic “special edition” but it’s still a fantastic movie.
CHICAGO – Sofia Coppola’s “Somewhere” is her most lyrical film, a work that feels not unlike Gus Van Sant’s “Last Days” or “Elephant” in its liberal use of long takes, huge gaps in dialogue, and real-time scenes that seem to go nowhere.
CHICAGO – While legendary writer and director Woody Allen can’t always be equated with sheer genius these days and is more accurately described as a hit-or-miss proposition, the sorely undermarketed and film-festival touring “Vicky Cristina Barcelona” serves as unquestionable retribution for his recently questionable work.