Javier Bardem

On-Air Film Review: Spice of Life Found in Epic ‘Dune Part Two’

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on February 29th, 2024, reviewing “Dune Part Two,” the highly anticipated continuation of director Denis Villeneuve’s adaptation of author Frank Herbert’s sci-fi classic. In theaters beginning March 1st, 2024.

On-Air Film Review: ‘The Little Mermaid’ is Under Sea Live Action

CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on May 25th, reviewing “The Little Mermaid,” Walt Disney Studios live action reboot. In theaters on May 26th.

Film Review: ‘Being the Ricardos’ Questions Who Loves Lucy

CHICAGO – “Being the Ricardos” tries to tell the story of a comedy icon with a star who wouldn’t know physical comedy if it slapped her in the face. Nicole Kidman as Lucille Ball isn’t the only problem weighing down this biopic, but anytime this lead-footed and ponderous production threatens to build up a little momentum, Kidman stops it in its tracks.

Film Review: Despite Sandy Start and Trope Pitfalls, 'Dune' Could be the Next 'Star Wars'

CHICAGO – Everything has ‘potential’ and in examining that you reveal a little bit about yourself. Seeing the ‘potential’ in something is inherently an exercise in optimism because you take what you see and understand that it could do or be better. Criticism is also a key component when it comes to discussing ‘potential’ because without a critical eye you can’t see beyond what is to see what could be.

HollywoodChicago.com ESP, En Español: ‘American Assassin,’ ‘Brad’s Status’ y ‘mother!’

HC ESP AA BS M (600x450).jpg

CHICAGO – Cada semana, HollywoodChicago.com le traerá las criticas de las películas que hemos visto y que están saliendo esa semana, pero en español. HollywoodChicago.com ESP no sólo representa HollywoodChicago.com Espanol, sino también Esta Semana en Peliculas. Esta semana, vamos a una misión de venganza y terminamos salvando el mundo (“American Assassin”), luego nos vamos de viaje a visitar algunas universidades mientras tenemos un colapso mental (“Brad’s Status”), y luego nos transportan a una casa que significa mucho más de lo que parece (“mother!”).

Film Review: M is for the Many Things ‘mother!’ Gave Me

CHICAGO – In a film that is unsettlingly and regally composed with deep purpose and symbolism, “mother!” fulfills the nature of what it proposes to communicate within layers of essentially rendered storytelling and cinematic perspective. It can potentially change your overall point of view.

Film Review: Johnny Depp Stays Afloat in ‘Pirates of the Caribbean: Dead Men Tell No Tales’

CHICAGO – The “Pirates Of The Caribbean” series has undergone a strange transformation over five films. The first film was better than any movie “based on a theme park ride” then it had any business being. But now in its fifth film voyage, “Dead Men Tell No Tales” bears a closer resemblance to the ride now more that ever.

Film Review: Lack of Cohesiveness, Intrigue Stymies ‘The Gunman’

CHICAGO – If you’re going to see a Sean Penn action movie, I guess “The Gunman” would be appropriate. As he and the filmmakers inject some reality in the usual motivations, the puzzle pieces don’t connect well and in the end are not that interesting. That is not to say that the film is bad.

Interview: Director Pierre Morel on Sean Penn, Liam Neeson & His Latest ‘The Gunman’

Pierre Morel of 'The Gunman,' photo by Patrick McDonald

CHICAGO – There were basically two careers for Pierre Morel, before he directed the mega-hit “Taken,” starring Liam Neeson, and afterward. The French-born cinematographer, camera operator and now director is releasing “The Gunman,” an action film that stars Sean Penn. Like “Taken,” the motivations for the action are based in the real world, and “The Gunman” travels to Africa, London and Barcelona on his way to redeeming his soul.

Film Review: ‘The Counselor’ Disguises Lackluster Storytelling in Philosophy

CHICAGO – “That’s not what greed does; that’s what greed is.” Cormac McCarthy’s script for “The Counselor” is so weighed down with allegedly insightful philosophy like this that it collapses into a heap of laughable, unbelievable exchanges between characters who simply don’t exist in the real world.

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