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Rebecca Hall

Blu-ray Review: The Internet is For Real in Goofy ‘Transcendence’

Transcendence

CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset. It is a film that perceives technology to be more expansive than a box of wires and computer chips, and actualizes the expanse of the internet as limitless to the realm of spiritual.

Film Review: Meditative ‘Transcendence’ Also Artificially Intelligent

CHICAGO – The Internet is for real in “Transcendence”, a B-movie with grade-A production quality, loaded with terabyte-size open-ended questions, so long as one can accept it lastly with a scientific mindset.

Film Review: ‘Closed Circuit’ is a Tense Reminder of Our Times

CHICAGO – The threat of terrorist acts defies security. That is a fundamental truth. With 7 billion people on the planet – and an infinite number of motivations within them – all the security cameras, techniques and agencies cannot stop a determined group or individual, as depicted in “Closed Circuit.”

Film Review: ‘Iron Man 3’ Starts Summer with a Mechanized Bang

CHICAGO – Critics and viewers fell in rapturous adoration of the legend of The Dark Knight when Christopher Nolan and his team took the risk of making character-driven superhero movies. To kick off the second phase of the Marvel Universe of films with this weekend’s “Iron Man 3,” Shane Black and the team behind this guaranteed blockbuster have done the same – presenting us with the most human Marvel flick since “Spider-Man 2.”

Blu-ray Review: Bruce Willis, Rebecca Hall in Dull ‘Lay the Favorite’

Lay the Favorite

CHICAGO – Every once in a Hollywood while, a true head-scratcher comes along. How on Earth did this movie, with this many talented people involved, end up so boring? If you told me that Stephen Frears (“The Grifters,” “The Queen”) was re-teaming with his “High Fidelity” scribe D.V. DeVincentis on a dramedy with the great Rebecca Hall and Bruce Willis, I would probably put that flick on a highly-anticipated list.

TV Review: Star-Studded ‘Parade’s End’ is True Accomplishment

CHICAGOHBO brings BBC2’s “Parade’s End,” based on the highly-acclaimed novels by Ford Madox Ford, stateside and the star-studded mini-series with a breathtakingly good script from the legendary Sir Tom Stoppard is a must-see for anyone interested in historical drama, quality acting, or the kind of stunning production values usually reserved for big-screen adaptations with Oscar aspirations.

Blu-ray Review: Deadly Dull Thriller ‘The Awakening’ Lulls Audience to Sleep

The Awakening Blu-ray

CHICAGO – In contrast with the other subpar supernatural blockbusters released last August, Nick Murphy’s “The Awakening” lacks the cheesy thrills of “The Possession” and the hilarious ineptitude of “The Apparition.” Instead, it’s a humorless and ponderous bore buoyed only slightly by its vivid lead performance from Rebecca Hall, a supremely gifted character actress who has yet to receive the cinematic showcase she deserves.

Film Review: ‘The Awakening’ with Rebecca Hall Will Put You to Sleep

The Awakening

CHICAGO – There a lot of sighs and longing looks in the new horror film “The Awakening” (and good luck trying to distinguish between the generically-titled “The Apparition,” “The Possession,” and this one — all in theaters). This disappointing attempt at an atmospheric ghost story tries to tell a tale that first feels like a haunting from within.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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