Rebecca Hall

CHICAGO – It’s only been a couple of years but Ben Affleck’s “The Town” already feels like more of a modern classic than it did upon its release. There are some elements of the film that still falter for this critic (most of them related to the Affleck-Hall relationship and lack of chemistry within it) although they’ve become nearly overwhelmed by what DOES work about this engaging, tight thriller. He’s only made two films (“Gone Baby Gone” before this and this fall’s “Argo” will be his third) but I honestly feel like Ben Affleck will be a better director than an actor (and I’ve always thought him an underrated actor).

CHICAGO – Alcohol mixed with the American Dream sometimes becomes a destructive chemistry. With every individual’s reaction to ethyl alcohol like a fingerprint, the general image of the party animal can easily morph into what John Cheever called ‘The Sorrows of Gin.” These sorrows are explored through Will Ferrell in “Everything Must Go.”

CHICAGO – For filmmaker Ben Affleck, “The Town” marks a return to his roots in more ways than one. It’s a fresh and assured sophomore effort by the promising director, whose cinematic perspective on Boston is becoming as distinctive and exciting Scorsese’s take on New York City. Yet the picture also finds Affleck returning to the themes that have obsessed him ever since “Good Will Hunting.”

CHICAGO – I’ve seen over a hundred films since seeing Nicole Holofcener’s “Please Give” and the movie has somehow lingered in the back of my mind. It’s what happens when characters are this well-drawn and believable. If a movie feels genuine, it has a much longer staying power and writer/director Holofcener (“Lovely and Amazing,” “Friends With Money”) makes dramedies about people that almost instantly feel completely genuine. “Please Give,” recently released on Blu-ray and DVD, is one of the best dramedies of the year.

CHICAGO – Only three years since the Chicago Film Critics Association awarded Ben Affleck as our most promising filmmaker, he’s back in the director’s seat a second time with “The Town”.

CHICAGO – In our latest crime/drama edition of HollywoodChicago.com Hookup: Film, we have 40 admit-two passes up for grabs to the advance Chicago screening of the new film “The Town”!

CHICAGO – Thriller fans should seek out the fascinating “Red Riding Trilogy,” a series of films with largely different casts set in different time periods that attempts to pull back the facade of peace to reveal the dark face of evil underneath. The films are not perfect but they work together to create a memorable portrait of corruption that has infected an entire country and taken more than a few victims in its grip.

Rating: 4.0/5.0

CHICAGO – Writer/director Nicole Holofcener (“Lovely and Amazing,” “Friends With Money”) has an amazing ability to write characters that immediately feel genuine. It helps to have an actress as free of artifice as Catherine Keener as your regular lead but we shouldn’t diminish Holofcener’s rare ear for dialogue that actually sounds like it wasn’t created by a screenwriting machine.

Rating: 4.0/5.0

CHICAGO – Much ink has been spilled about how HBO is at the forefront of made-for-TV filmmaking in the world, a fact already demonstrated this year by the brilliant biopic “Temple Grandin” and the stellar WWII mini-series, “The Pacific.” Yet Britain’s Channel 4 deserves just as much attention and praise for producing the “Red Riding” trilogy, which has been routinely compared to HBO’s classic series, “The Wire.”

Blu-Ray Rating: 3.5/5.0

CHICAGO – I want to love “Frost/Nixon”. I’m generally forgiving of historical dramas, especially ones that paint Richard Nixon in a bad light. And I think the world of Michael Sheen, Frank Langella, Sam Rockwell, Rebecca Hall, and Oliver Platt. But “Frost/Nixon” is a good movie that was too commonly praised as a great one because of its subject matter and pedigree. Worth a rental? For sure. Worth a purchase or its Best Picture nomination? I don’t think so.