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Justina Machado

Film Review: ‘The Purge: Anarchy’ Can’t Decide What it Wants to Be

CHICAGO – “The Purge: Anarchy” is a cake-and-eat-it film. On one hand there is a monotonous display of firepower, courtesy of a suspension of laws for one night a year, but it also wants to temper this lawlessness with indictments of government, the rich and the law itself.

Interview: Zach Gilford on the World in ‘The Purge: Anarchy’

CHICAGO – Zach Gilford is a familiar face to fans of the TV series “Friday Night Lights,” where he portrayed Matt Saracen. The actor grew up around Chicago in Evanston, Ill., and has risen through the ranks of acting in his new home of Los Angeles. He currently is featured in the sequel film, “The Purge: Anarchy.”

TV Review: NBC’s Struggles Continue with ‘Sean Saves the World,’ ‘Welcome to the Family’

CHICAGO – People often ask me why low-rated NBC shows like “Community” keep getting renewed (or how “Whitney” and “Up All Night” got a second season) and I often turn to a sports analogy — they have no one in the minor leagues to replace them.

TV Review: CBS’ Generic ‘Three Rivers’ Needs a Creativity Transplant

CHICAGO – “Three Rivers” takes its title from the Pittsburgh heart transplant hospital at which it is set but even the dull, “easy listening” name of the show should tell you something about the earnest, drab series debuting tonight on CBS.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • The Projects

    CHICAGO – The legacy of public housing is one of the strangest forces of karma in the City of Chicago. For example, sites that were once some of the roughest and most neglected housing for the poor now contain luxury condos. It is the people of those former hellholes that still remember the sorrowful history of what they once called home. The American Theater Company (ATC) have gathered these stories for the poignant and extraordinary “The Projects.”

  • Gambler, The 2

    CHICAGO – Browsing Dostoyevsky titles with consideration for proper roles for Mark Wahlberg, one might expect the Beantown hero to take on an adaptation of “The Idiot” before anything like “The Gambler.” After all, while Wahlberg has proven to be a diverse screen force - one who has well-grown past his Funky Bunch days - he often leans towards goofy men, or at least goofy men in goofy movies.

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