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Justina Machado

Film Review: ‘The Purge: Anarchy’ Can’t Decide What it Wants to Be

CHICAGO – “The Purge: Anarchy” is a cake-and-eat-it film. On one hand there is a monotonous display of firepower, courtesy of a suspension of laws for one night a year, but it also wants to temper this lawlessness with indictments of government, the rich and the law itself.

Interview: Zach Gilford on the World in ‘The Purge: Anarchy’

CHICAGO – Zach Gilford is a familiar face to fans of the TV series “Friday Night Lights,” where he portrayed Matt Saracen. The actor grew up around Chicago in Evanston, Ill., and has risen through the ranks of acting in his new home of Los Angeles. He currently is featured in the sequel film, “The Purge: Anarchy.”

TV Review: NBC’s Struggles Continue with ‘Sean Saves the World,’ ‘Welcome to the Family’

CHICAGO – People often ask me why low-rated NBC shows like “Community” keep getting renewed (or how “Whitney” and “Up All Night” got a second season) and I often turn to a sports analogy — they have no one in the minor leagues to replace them.

TV Review: CBS’ Generic ‘Three Rivers’ Needs a Creativity Transplant

CHICAGO – “Three Rivers” takes its title from the Pittsburgh heart transplant hospital at which it is set but even the dull, “easy listening” name of the show should tell you something about the earnest, drab series debuting tonight on CBS.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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