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Alfre Woodard

TV Review: ‘Memphis Beat’ Returns For Improved Season Two With Jason Lee

CHICAGO – Jason Lee, best known as the star of “My Name is Earl,” took a different direction last year when he took the lead as a police detective in “Memphis Beat.” The second season premiere is June 14th on TNT Network.

TV Review: Jason Lee Delivers Dead Elvis in ‘Memphis Beat’

CHICAGO – There have been TV cops in New York, Miami, Chicago, Los Angeles and even Hawaii, 5-0, so it stands to reason that Memphis, Tennessee, would get its turn. Jason Lee (“My Name is Earl”) and Alfre Woodard are on the “Memphis Beat,” premiering June 22nd on the TNT Network.

TV Review: CBS’ Generic ‘Three Rivers’ Needs a Creativity Transplant

CHICAGO – “Three Rivers” takes its title from the Pittsburgh heart transplant hospital at which it is set but even the dull, “easy listening” name of the show should tell you something about the earnest, drab series debuting tonight on CBS.

Interview: Writer Bill Haney, Regina Kelly on the Struggle, Uplift in ‘American Violet’

CHICAGO – In a previous interview, director Tim Disney of the new film ‘American Violet’ called his film one where “change begins, and change is possible, when individuals make choices and stand behind them.”

Interview: Director Tim Disney on Incarceration Laws in ‘American Violet’

CHICAGO – In his third film, “American Violet,” director Tim Disney tackles the subject of unfair incarceration laws involving a poor African-American housing project in a rural Texas town.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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