CHICAGO – The late playwright August Wilson left a gift to the world in the form of his “American Century Cycle,” a series of plays each individually set in a decade of the 20th Century, focusing on the black experience. Chicago’s Goodman Theatre presents Wilson’s “Joe Turner’s Come and Gone,” now through May 19th, 2024 (click here).
Olivier Megaton
Ramshackle, Rickety ‘Taken 3’ is Far Too Predictable
Submitted by PatrickMcD on January 9, 2015 - 3:16pmRating: 2.0/5.0 |
CHICAGO – “Taken 3” is more a brand extension than a movie. Seven years after “Taken” turned Liam Neeson into an unlikely action star, “Taken 3” shows this series has completely run out of gas. The novelty of the hulking Oscar-nominee beating bad guys to a pulp wore off a long time ago, and “Taken 3” puts Neeson through the most pedestrian set of paces yet. It says something when the operative word of his first scene is “predictable.” Neeson only says it a half dozen times.
‘Taken 2’ with Liam Neeson Trades Action For Nonsense
Submitted by BrianTT on October 5, 2012 - 8:56amRating: 1.0/5.0 |
CHICAGO – Olivier Megaton’s “Taken 2” is utter nonsense, a film that plays like a cross between Seth MacFarlane spoofing the first film on “Family Guy” and “MacGyver” fan fiction (although nowhere NEAR as much fun as that might make it sound). Everything that worked about the action-packed “Taken,” a surprising hit and a solid genre flick, has been corrupted here by jump cuts, horrendous plotting, and a complete lack of anything of interest outside of Neeson’s half-engaged performance.