Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
CHICAGO – Olivier Megaton’s “Taken 2” is utter nonsense, a film that plays like a cross between Seth MacFarlane spoofing the first film on “Family Guy” and “MacGyver” fan fiction (although nowhere NEAR as much fun as that might make it sound). Everything that worked about the action-packed “Taken,” a surprising hit and a solid genre flick, has been corrupted here by jump cuts, horrendous plotting, and a complete lack of anything of interest outside of Neeson’s half-engaged performance.
CHICAGO – Bringing the same screen presence and gravity that he has to more serious roles like those in “Schindler’s List” and “Kinsey,” Liam Neeson turns the relatively generic “Taken” into an above-average action movie that should prove a surprising alternative for movie goers looking for a break from Super Bowl coverage this weekend.