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Mike Mitchell

Film Review: ‘Trolls’ is Catchier Than it Has a Right to Be

CHICAGO – “Trolls” isn’t the type of confection that I would normally subject myself to, but at least it didn’t make me want to stick knitting needles in my ears. That’s because “Trolls” aspires to be this season’s “Frozen,” a full blown animated musical jam packed with songs you can’t get out of your head as much as you might try.

Interview: Directors Mike Mitchell & Walt Dohrn of ‘Trolls’

CHICAGO – The delightful new animated film “Trolls” takes the familiar doll to a new level of fun and heart. Behind this invention is the director team of Mike Mitchell and Walt Dohrn, who have worked together in various animation roles over the years before teaming up in their first collaboration for Dreamworks Studio.

Lazy, Uninspired ‘Shrek Forever After’ With Mike Myers, Cameron Diaz

CHICAGO – The laziest big budget film of the year, “Shrek Forever After” is the worst kind of family entertainment in that it relies solely on the goodwill engendered by the hit movies that came before to not only get audience members in seats this weekend but to sell them toys, video games, and tickets to amusement parks.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Asylum, The Logo

    CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

  • Baltimore Waltz, The

    CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

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