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Mark Boal

DVD Review: Kathryn Bigelow’s Incredible ‘Zero Dark Thirty’ Deserves More

Zero Dark Thirty

CHICAGO – At one point in awards season, right after it won five Chicago Film Critics Association Awards, including Best Picture, Actress, Screenplay, and Director, it really looked like Kathryn Bigelow’s “Zero Dark Thirty” was going to be the most award-winning film of 2012. When all was said and done, it only won a single Oscar for Sound Editing and Bigelow wasn’t even nominated.

Film Review: ‘Zero Dark Thirty’ Turns CIA Procedural Into Riveting Thriller

CHICAGO – Kathryn Bigelow opens her stunning “Zero Dark Thirty” with a date and a series of voice mail recordings. The date is, of course, September 11, 2001 and the recordings are the ghosts of the people who died that day, perfectly setting the stakes for the story to come – the hunt for and capture of Osama Bin Laden.

DVD Review: Amazing ‘The Hurt Locker’ Should Rock on Home Market

The Hurt Locker

CHICAGO – The most critically acclaimed film of the year, Kathryn Bigelow’s “The Hurt Locker” is finally available on DVD and Blu-ray. The war movie made a measly $13 million in theaters, a number that has been thrown around several times as to why the film won’t win the Oscar for Best Picture. Millions of viewers will catch up to this modern masterpiece on DVD and Blu-ray and regret not having experienced it in theaters.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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