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Kathryn Bigelow

Interview: Loren Hammonds, Programmer of Immersive Films at Tribeca Film Festival

Loren Hammonds

CHICAGO – The future of story experience was on display at the recent 16th Tribeca Film Festival, and its popularity bodes well for the evolution of audience interaction. The “Virtual Arcade,” which was at the festival hub in the Tribeca neighborhood, featured Virtual Reality (VR), interactive storytelling and immersive experiences, which takes the participant into the world they once only watched. Loren Hammonds is the Programmer for these experiential works.

DVD Review: Kathryn Bigelow’s Incredible ‘Zero Dark Thirty’ Deserves More

Zero Dark Thirty

CHICAGO – At one point in awards season, right after it won five Chicago Film Critics Association Awards, including Best Picture, Actress, Screenplay, and Director, it really looked like Kathryn Bigelow’s “Zero Dark Thirty” was going to be the most award-winning film of 2012. When all was said and done, it only won a single Oscar for Sound Editing and Bigelow wasn’t even nominated.

Film Review: Jingoistic ‘Zero Dark Thirty’ Highlights the Mission

CHICAGO – Despite an obsession for killing a single man to represent a foggy revenge, “Zero Dark Thirty” is an effective thriller in the actual re-creation of that Navy Seal operation. Directed by Kathryn Bigelow (“The Hurt Locker”), the all-star cast is led by a miscast Jessica Chastain.

Film Review: ‘Zero Dark Thirty’ Turns CIA Procedural Into Riveting Thriller

CHICAGO – Kathryn Bigelow opens her stunning “Zero Dark Thirty” with a date and a series of voice mail recordings. The date is, of course, September 11, 2001 and the recordings are the ghosts of the people who died that day, perfectly setting the stakes for the story to come – the hunt for and capture of Osama Bin Laden.

Film News: ‘Point Break,’ ‘Sparkle’ Coming Back to the Big Screen

Point Break

CHICAGO- Classic films that entertained fans during their release and the years that have followed are apparently too good to be left alone in present day Hollywood. “True Grit” “Fame” and the new “Footloose” are all prime examples of films derived from a previous movie, and it looks like you can add “Point Break” and “Sparkle” to that list.

Blu-Ray Review: Kathryn Bigelow’s ‘K-19: The Widowmaker’

K19

CHICAGO – Her ceiling-breaking Oscar win for Best Director and Best Picture for “The Hurt Locker” is likely to send many movie watchers into the back catalog of the great Kathryn Bigelow, a fact that has driven Paramount to release her least accomplished film, the truly mediocre Harrison Ford vehicle “K-19: The Widowmaker” on Blu-ray.

DVD Review: Amazing ‘The Hurt Locker’ Should Rock on Home Market

The Hurt Locker

CHICAGO – The most critically acclaimed film of the year, Kathryn Bigelow’s “The Hurt Locker” is finally available on DVD and Blu-ray. The war movie made a measly $13 million in theaters, a number that has been thrown around several times as to why the film won’t win the Oscar for Best Picture. Millions of viewers will catch up to this modern masterpiece on DVD and Blu-ray and regret not having experienced it in theaters.

Blu-Ray Review: After ‘New Moon’ Sets, Pick Up ‘Near Dark’

Near Dark

CHICAGO – It’s funny the way that the Blu-Ray market has developed in that success of a new title can often bring an old one to the HD format more quickly than it otherwise would get there. In the case of the great “Near Dark,” it’s the success of two films, one that shares a theme (“The Twilight Saga: New Moon”) and one that shares director Kathryn Bigelow (“The Hurt Locker”). Whatever the reason, don’t fail to include arguably the best vampire movie ever made in your collection.

Riveting, Must-See ‘The Hurt Locker’ is Flawless Filmmaking

CHICAGO – Filmmaking simply doesn’t get much more riveting than Kathryn Bigelow’s incredible “The Hurt Locker,” a cinematic experience unlike any other that you will have this year.

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