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Field of Dreams

Podcast Talk: Rebecca Fons on Reopening the Iowa Theater in Winterset on May 25, 2017

Rebecca and Marianne Fons of the Iowa Theater

CHICAGO – When Rebecca Fons, the former Education Manager of the Chicago International Film Festival, was getting married to Jack C. Newell – a prominent Chicago film director – her mother Marianne told her something that would change the course of their lives. Fons’ hometown movie theater, the “Iowa,” was about to offered for sale. In the equivalent of the recent Matt Damon family film favorite, Rebecca and Marianne Fons was about to star in their version of “We Bought a Movie Theater.”

Interview: Kevin Costner, Anthony Mackie & Director Mike Binder Ponder ‘Black or White’

CHICAGO – Kevin Costner has come to represent a particular brand of Americana, for his roles in films like “Field of Dreams,” “Dances with Wolves” “JFK” and recently as Pa Kent in “Man of Steel.” His latest film is “Black or White.”

Father’s Day Blu-Ray Round Up, May 26, 2009: ‘Fletch,’ ‘Field of Dreams,’ ‘Seabiscuit’

Fletch

CHICAGO – Universal Home Video is releasing a wave of titles timed for Father’s Day gifts. Some of their choices - “Field of Dreams,” “Fletch” - seem like logical picks for a better HD daddy day than another striped tie while others seem chosen purely because they have the word “Men” or “Man” in the title - “Children of Men,” “Cinderella Man,” “Inside Man”.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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