What to Watch prides itself on often offering a wide variety of material from TV seasons to On Demand exclusives to remasters of classic flicks. Not this week. All six of the New Releases that you may be drawn to in your favorite store or on your favorite service are movies, and all released in the last 18 months. But the variety within those movies is remarkable. A Best Picture winner, action flicks, a superhero, and two indie drams that waste talented casts. Pick your favorites. Here’s how we would rank ‘em.
CHICAGO – Would you betray your cause and the rest of your family tree for the safety of your son? Such is the nightmarish question that Collette must answer in James Marsh’s tense, complex “Shadow Dancer,” a slow-burn thriller that may be a bit too slow at times but builds in power by the final reel. It is On Demand now and opens in New York and Los Angeles on Friday, May 31. It’s worth seeking out.
CHICAGO – It doesn’t sound like a particularly bad idea. In exploring the globe-trotting adventures of author Ernest Hemingway and war correspondent Martha Gellhorn, why not use archival footage of the actual sights and sounds that they encountered, while nesting the actors into the frame, a la “Forrest Gump”? I didn’t think it was a bad idea at all until roughly three minutes into the movie.
CHICAGO – It pains me to say this — HBO’s “Hemingway & Gellhorn” is a complete mess, a film littered with awful directorial decisions, built on a misguided screenplay, and featuring performances that range from mediocre to downright horrendous. I’m as big a cheerleader for HBO and their line of original films as you’re likely to find but this is one of the worst.
CHICAGO – Clive Owen is a fantastic actor, one of the best of his generation in films like “Children of Men” and “Trust.” His co-star in “Intruders,” Carice Van Houten, generally makes everything she does more interesting (and memorably appears in the new season of “Game of Thrones”). And yet neither of these talented thespians can do a thing to save “Intruders,” an inert, boring supernatural thriller, a flick that joins the crowded subgenre of childhood boogeyman scare-fests that fail to find the spine-tingling power of what we think may be under the bed.
CHICAGO – “Killer Elite” is one of those home releases that makes me wonder about the future of Blu-ray. It’s clearly not an edition designed for fans of this awful action movie, even if one does assume that it’s a very small group of people since it has practically no special features. And there really aren’t any Blockbusters any more, buying these things in bulk with a design on renting them. So, why not just download it? With more and more people able to download in HD, lackluster releases like that for “Killer Elite” are going to be the first to go the way of the VHS tape.
CHICAGO – In our latest action edition of HollywoodChicago.com Hookup: Blu-ray, we have 5 Blu-rays up for grabs for the home entertainment release of “Killer Elite”!
CHICAGO – “Killer Elite” is an exhausting, nonsensical, illogical, loud collection of action clichés masquerading as a modern action film. It features characters less three-dimensional than most cartoons doing and saying things that are only done and said in movies. Bad movies. Really bad movies.
HollywoodChicago.com Hookup: 40 Pairs of Chicago Passes to ‘Killer Elite’ With Robert De Niro, Jason StathamSubmitted by HollywoodChicago.com on September 14, 2011 - 9:48am
CHICAGO – In our latest action/thriller edition of HollywoodChicago.com Hookup: Film, we have 40 admit-two movie passes up for grabs to the advance Chicago screening of the new film “Killer Elite” starring Jason Statham, Clive Owen and Robert De Niro!
CHICAGO – David Schwimmer’s ‘Trust’ is one of the best films of the year to date that I’m pretty sure you haven’t seen. After playing at the Chicago International Film Festival last fall (where it was easily one of the best works at the fest), it received a far-too-limited release in April and has made barely over $120k TOTAL domestically. Rent it. Watch it. Now.
CHICAGO – There’s an unsettling potency to relationships that are born online. They take place entirely within the mind, which is capable of producing idealized images never to be equaled by reality. With the right stroke of keys, a savvy writer could potentially seduce a susceptible victim into emotional entrapment. That’s why the Internet is a predator’s playground.