Cohen Media Group

CHICAGO – The clash of ideologies or religion that result in war is one of the most emotional of reasons to fight (and convenient for those who manipulate such emotions). “The Insult,” a contender for Best Foreign Language Film at the Oscars, shows how feelings can escalate to bitter conflict.

CHICAGO – Winston Churchill, except to hardcore history buffs, is fast fading from the cultural radar. Often called the Greatest Briton Ever, the lion who led his people for so many years became a bit toothless during the greatest World War II battle ever conceived, D-Day the Sixth of June. That moment in his life, and the lives of those around him, is the subject of the magnificent new film, “Churchill.”

CHICAGO – In 1966, a breakthrough book about the movies was released, entitled “Hitchcock/Truffaut.” A new documentary explores the actual interviews that were conducted between French new wave director Francois Truffaut and the legendary Alfred Hitchcock, that would become that book.

CHICAGO – Hats off to Cohen Media Group for unearthing yet another indispensable piece of cinema. Andre Téchiné, the brilliant French director perhaps best known for 1994’s “Wild Reeds,” united three great actresses to star in his ambitious, painstakingly researched 1979 portrait of the Brontë sisters who authored literary classics under male pseudonyms.

CHICAGO – It’s a cause for celebration amongst film buffs when any picture—however minor or unremarkable—is miraculously resurrected from the dead, enabling us to view a lost piece of cinema history. That being said, there are countless titles more worthy of being reborn than “Perfect Understanding,” the latest alleged classic released by Cohen Media Group.

CHICAGO – The silent film, which was revived by the 2011 Best Picture Oscar winner “The Artist,” is honored again in the new film “Blancanieves.” This artful re-imagining of the Snow White story – set in Spanish bullfighting rings – cherishes the feel of silent film, and features clever composition.

CHICAGO – At the dark heart of Luis Buñuel’s Oscar-nominated 1970 classic, “Tristana,” is a character so spectacularly hypocritical and richly fascinating that he upstages everyone including the titular heroine. As played by the great Fernando Rey, ignoble nobleman Don Lope is a self-professed libertine bound by traditional values. He passionately believes in the virtues of freedom, but only on his terms.

CHICAGO – Audiences cry for many reasons other than sadness. They cry tears of joy, of amusement, of recognition…and of awe. When an artist manages to pull off a groundbreaking technical achievement never before brought to the big screen (or the stage, for that matter), it can elicit a response of overwhelming astonishment. Of course, in the age of digital overkill, such reactions are as rare as original scripts.

CHICAGO – Benoît Jacquot is a director clearly enraptured by the beauty of young women. This was eminently clear in his early ’90s-era vehicles for Virginie Ledoyen (“A Single Girl,” “Marianne”), an actress who turned up in his latest picture, “Farewell, My Queen,” still looking startlingly youthful. Yet she is no longer the center of Jacquot’s universe.

CHICAGO – “The Lady” is a textbook example of a missed opportunity. It assembles a talented cast and crew to tell the story of Aung San Suu Kyi, an extraordinary woman who sacrificed everything—including her own freedom—in order to bring democracy to her homeland of Burma. Her life story deserves far more than an episodic biopic, but that’s exactly what it receives here.