CHICAGO – In many ways, it’s easier to draw a direct line from 1997’s “The Game” to the work that David Fincher is doing today than it would be from “bigger hits” like “Fight Club” and “Seven.” Not only does “The Game” look strikingly similar to “Social Network” and “Girl with a Dragon Tattoo” in terms of the way Fincher and his amazing d.p. Harris Savides shoot board rooms and bad behavior but the film shares themes that still interest Fincher like obsession, ego, and deception. The Criterion edition of Fincher’s film makes the argument crystal clear that is one of the most underrated thrillers of the ’90s.
CHICAGO – We are at the tipping point of a technology that has been used for a hundred years to capture the moving image. Shooting on film is going away as more and more filmmakers use digital technology to tell their stories. How does this change the art form? Is it a creative new landscape or the death of something important?
CHICAGO – David Fincher’s “The Girl with the Dragon Tattoo” is an absolute masterpiece, one of the best films of 2011 and one of the best thrillers of the new millennium. After I saw it in December of 2011, there was some question of its quality when compared to the original Stieg Larsson books, the Noomi Rapace-starring foreign version, and even Fincher’s previous work, the amazing “The Social Network.” Ignore all that comparison and just view “Dragon” on its own merits. It’s spectacular.
CHICAGO – Nominees in the Feature Film category for this year’s Directors Guild Awards were announced this morning and featured very familiar names, with one that may come as a surprise. While four of the five nominees were also nominated for Best Director at the Golden Globes this year, David Fincher got the nod from the Directors Guild Awards.
CHICAGO – David Fincher’s “The Girl with the Dragon Tattoo” comes with waves of expectations from fans of the Stieg Larsson books, the Swedish original films, the director’s previous beloved works, and even drama over a certain national outlet breaking an agreed-upon embargo.
CHICAGO – Last week saw the release of Martin Scorsese’s “Hugo,” his long-awaited adaptation of Brian Selznick’s award-winning young adult novel, “The Invention of Hugo Cabret”. And the movie has been “long-awaited” for several reasons. One reason is that the idea of Scorsese doing a kid’s movie is a little mind-blowing.
CHICAGO – Ami Canaan Mann’s “Texas Killing Fields” is further proof of just how difficult it is to do what David Fincher does so well. “TKF” may have echoes of “Seven” and “Zodiac” but none of the character, mood, or even cohesion of those films. The best word to describe this misstep is a “mess” as the movie jumps around between plotlines and characters and never gives the viewer the footing that would make them resonate as something worth caring about or entertaining.
CHICAGO – Following our low-grade review of the new Jesse Eisenberg and Aziz Ansari comedy “30 Minutes or less,” what we find most interesting is why these talented stars think it’s much funnier than it actually is.
CHICAGO – The new half-unfunny comedy “30 Minutes or Less” stands as a destructive come down for newly minted star Jesse Eisenberg following his high-profile role as Facebook founder Mark Zuckerberg in David Fincher’s “The Social Network”.
CHICAGO – Have you filled out your Oscar pool ballot yet? Let us guide the way. The film think-tank at HollywoodChicago.com (Matt Fagerholm, Patrick McDonald, and, myself, Brian Tallerico) has convened to break down the major eight categories with their picks for who will win, who should win, and who should have been nominated.