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Chris O'Donnell

Film Review: Jenna Fischer Falls Victim to Weak Screenwriting in ‘A Little Help’

A Little Help
HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Despite the best efforts by Jenna Fischer (“The Office”) playing against type as a smoking, drinking newly-single mother, “A Little Help” is a mess. This dramedy consists of the kind of characters one only sees in a movie theater and usually only in an indie flick that thinks it’s much smarter and has much more to say about the human condition than it actually does.

TV Review: ‘NCIS: Los Angeles’ Has Breakout Potential as Hottest New Show

NCIS: Los Angeles

CHICAGO – Doesn’t it feel like there will someday just be a few mystery franchises with several different iterations on the air? We have three versions of “Law & Order” and “CSI,” and now “NCIS” has joined in, expanding the franchise of this surprisingly popular show to “NCIS: Los Angeles” with appealing stars Chris O’Donnell and L.L. Cool J.

Abigail Breslin, Chris O’Donnell, Joan Cusack Walk Chicago Red Carpet For ‘Kit Kittredge: An American Girl’

CHICAGO – A star-studded red carpet lit up downtown Chicago on Tuesday night as Abigail Breslin (“Little Miss Sunshine”), Chris O’Donnell and Joan Cusack struck poses for the Windy City premiere of their new film “Kit Kittredge: An American Girl”. We have original photography to bring you center stage.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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