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Josh Charles

DVD Review: Emmy-Nominated Third Season of CBS’s ‘The Good Wife’

The Good Wife S3

CHICAGO – Whenever a TV critic argues that network TV drama is dead and that it’s all moved to basic cable, there’s usually a solitary show that they point to as the exception — CBS’s “The Good Wife.” This critical darling, an Emmy winner for Best Actress in Dramatic Series last year (and Supporting Actress the year before and multiple nominee for this season), was recently released in a modest third-season DVD set from CBS and Paramount. It’s disappointing that the show isn’t available in HD and the special features are pretty light for what is arguably network TV’s best remaining drama.

DVD Review: Strong Packages For CBS Dramas ‘Blue Bloods,’ ‘The Good Wife’

Blue Bloods, Tom Selleck

CHICAGOCBS’s “Blue Bloods” and “The Good Wife,” both recently released on DVD (first season for the former, second season for the latter), were interesting stories in April of this year as ratings watchdogs expressed concerns that either or both could be canceled despite loyal fan bases. Both were given the reprieve because they have viewers who just won’t give up on them. See why with this stellar pair of releases.

DVD Review: ‘After.Life’ Notable Only For Being So Awful

After.Life

CHICAGO – Loyal readers will know that I am often forgiving of bad horror films merely due to my love for the genre but there’s nothing that can save “After.Life” from the company of the worst movies of 2010. The copious nudity from Christina Ricci and the admittedly interesting premise may draw those who haven’t seen it to this monumentally stupid film but prepare to lose a few brain cells in the process.

Annoyingly Inept ‘After.Life’ Bores Audience to Death

After.Life
HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “After.Life” is one of the first truly awful films of 2010. Its aggressive solemnity combined with its head-slapping silliness will cause most viewers to simply laugh it off the screen. There’s at least two possible ways to interpret its murky story, and they’re both ludicrous. The only mystery guaranteed to linger in moviegoers’ minds is the inexplicable motivation of Christina Ricci and Liam Neeson to take part in this direct-to-video dreck.

HollywoodChicago.com Hookup: 50 Chicago Passes to ‘After.Life’ With Christina Ricci, Liam Neeson

CHICAGO – In our latest horror/thriller edition of HollywoodChicago.com Hookup: Film, we have 50 admit-two passes up for grabs to the advance Chicago screening of “After.Life” starring Christina Ricci, Liam Neeson and Justin Long!

TV Review: Promising ‘The Good Wife’ With Juliana Margulies

The Good Wife

CHICAGO – From the non-stop ads (especially the ones that played all weekend locally with Bill Kurtis), you would be forgiven for thinking that CBS’ “The Good Wife” was solely about a scorned woman who enjoys slapping her lothario husband. There’s a lot more to the drama than that overplayed scene and the potential of the show is in the promise of watching a strong female character get past that moment, not play it over and over again.

DVD Review: Gabriel Byrne Shines in HBO’s Epic ‘In Treatment’

In Treatment
HollywoodChicago.com DVD Rating: 3.5/5.0
DVD Rating: 3.5/5.0

CHICAGO – Like therapy itself, HBO’s “In Treatment” requires a commitment. The award-winning program aired from Monday to Friday on HBO for nearly nine weeks and took up forty-three episodes. If you’re starting from the beginning of “In Treatment,” you will need to clear approximately 1,290 minutes of your schedule. Don’t go in half-heartedly.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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