CHICAGO – It’s 3am on Saturday night/Sunday morning on August 20th, and you’re just not ready to quit. How about indulging in the 2016 “Abbie Hoffman Died for Our Sins” Theater Festival? The three-day theater marathon is in its 28th edition, and will be sponsored for the final time by the Mary-Arrchie Theatre Company, and hosted by the “Godfather of Storefront Theater,” Rich Cotovsky. It all takes place at the Den Theatre, 1333 N. Milwaukee in Chicago (details below).
CHICAGO – A common quagmire during a zombie outbreak, as expressed in the 367 films about the topic made about such an event since 2000, concerns what to do when your loved one is infected. For many movies, it makes for the tearful, climactic moment; for the dour drama “Maggie,” it’s the total narrative examination that just about fills half a movie, featuring Arnold Schwarzenegger as a rugged, lumberjack dad who is disturbed by the ailing conditions of his infected daughter (played by Abigail Breslin).
CHICAGO – John Wells’ adaptation of Tracy Letts’ “August: Osage County” is a movie that fell off the radar in 2013 during the busiest time of the year. When we were all caught up in narratives of lone survival, or tales of how this country was morally eroded by financial excess, this loud ode to miserable family gatherings moved into theaters, scooped up a couple of Oscar nominations for its revered talent (Meryl Streep & Julia Roberts), and then vanished.
CHICAGO – Director Vincenzo Natali’s name always gets my attention. You always get the sense tha the’s trying to do something new. He first came to prominence with “Cube” (1997), which is a gorily stylistic bit of cheap psychological horror masquerading as science fiction. “Nothing” (2003) put two men in a literal void reminiscent in some ways of the classic and surreal Chuck Jones Looney Tune “Duck Amuck”. “Splice” (2009) offered an updated Frankenstein myth mixed with sexual politics and a critique of profit-driven genetic engineering.
CHICAGO – There will be inevitable comparisons to the Pulitzer Prize winning stage version of “August: Osage County” from the thousands of people who have been touched by the stage play. But in giving the film version a chance, there is the same passion, drama and heat of family dysfunction within it, with a dream cast.
CHICAGO – Gathering an ensemble cast for a film version of a Pulitzer Prize winning stage play is a tricky assignment. Some of the actors selected for “August: Osage County” – play and screenplay by Tracy Letts – are a mix of veterans (Juliette Lewis, Margo Martindale) and relative newcomers (Julianne Nicholson).
CHICAGO – Highly anticipated! In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening passes up for grabs to the darkly searing “Tracy Letts” comedy “August: Osage County” starring Meryl Streep!
CHICAGO – Gavin Hood’s “Ender’s Game” may be the best example of a current problem with science fiction: From “Oblivion” to “After Earth” to most of “Star Trek Into Darkness” and now this adaptation of the Orson Scott Card book, modern science fiction has become so depressingly sterile as to drain the genre of most of its joy.
HollywoodChicago.com Hookup: 40 Pairs of IMAX Tix to ‘Ender’s Game’ with Harrison Ford, Asa ButterfieldSubmitted by HollywoodChicago.com on October 27, 2013 - 8:59pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening movie passes up for grabs to the highly anticipated new sci-fi “Ender’s Game” starring Harrison Ford and Asa Butterfield!
CHICAGO – I love Brad Anderson and the vision he showed in films like “Session 9,” “Transsiberian,” and his amazing episode of “Masters of Horror,” “Sounds Like.” He’s also done great work on television on shows like “Fringe” and “Boardwalk Empire.” And so while it seemed clear that “The Call,” recently released on Blu-ray and DVD, was little more than a director-for-hire gig, there was no denying they hired a really talented director. Sadly, even Anderson can’t save a remarkably boneheaded script that exploits more than scares and really falls apart in a final act that needed a full rewrite. Halle Berry gives it her all but this just doesn’t work.
CHICAGO – “The Call” rises above the usual crime drama for a couple of reasons. First, it is a thriller that runs at a breakneck speed, using the driving culture of Los Angeles in a cat-and-mouse chase. Secondly, it symbolically emphasizes the plight of women, and honors their empowerment.