CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – You could call “The Equalizer” a bit of an underachiever. It re-teams Oscar winner Denzel Washington with his “Training Day” director Antoine Fuqua for a movie remake of a 1980’s TV show with a cult following, but the film as a whole adds up to less than the sum of its parts.
CHICAGO – With the success of mystery shows like “C.S.I.” and “The Mentalist,” why not try and bring back a staple of the ’70s and ’80s TV scene, the mystery movie of the week? Such is the thinking behind TNT’s programmers, as the network will debut a whopping four stand-alone mystery movies in the next month, starting with tonight’s debut of “Scott Turow’s Innocent,” starring Bill Pullman, Marcia Gay Harden, Alfred Molina, and Richard Schiff. Despite the stellar cast, this is a limp, dull effort that will only serve to remind viewers why they don’t make TV movies like this often any more.
CHICAGO – Michael Winterbottom’s “The Killer Inside Me” provoked such a strong response after its Sundance Film Festival premiere that the auteur behind “A Mighty Heart,” “9 Songs,” and “24 Hour Party People” was shunned by a crowd that typically embraces challenging films. What turned them? Check out Winterbottom’s daring film with Casey Affleck, Jessica Alba, Kate Hudson, and Simon Baker, now on Blu-ray and DVD.
CHICAGO – Michael Winterbottom’s ’50s-era neo-noir “The Killer Inside Me” creeps up on you in the creepiest possible way. Just as I was ready to write it off, I ended up caving in to its charms, or lack thereof. This film often seems as utterly cuckoo as its central antihero, and that’s what makes it so darn mesmerizing. Sure, it’s sort of a mess, but boy is it engrossing, with a strong emphasis on the gross.