Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.
CHICAGO – There hasn’t been a new episode of Larry David’s brilliant comedy, “Curb Your Enthusiasm,” in almost two years and the creator of the HBO program has yet to commit to ever doing a ninth season, saying recently to TV Guide to ask him again in six months.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of movie passes up for grabs to the advance screening of “The Reluctant Fundamentalist” starring Kate Hudson!
Film News: New Chicago Film Critics Association Series ‘Film with a View’ Presents ‘Almost Famous’ on Oct. 3, 2012Submitted by PatrickMcD on October 2, 2012 - 4:33pm
CHICAGO – The Chicago Film Critics Association (CFCA) will begin their new series, “Film with a View,” on this coming Wednesday, October 3rd, at the Studio Movie Grill in Wheaton, Illinois, starting at 7:30pm. Admission is only one dollar. The first feature will be “Almost Famous” (2000), the rock movie directed by Cameron Crowe. CFCA member Erik Childress of eFilmCritic.com will introduce the film and lead a discussion afterward.
CHICAGO – Kate Hudson portrays a dying woman in “A Little Bit of Heaven,” and the film is so annoying that her extinguishment can’t come fast enough. The film insults both living and dying, and virtually everything in between, and brings along Lucy Punch, Kathy Bates, Gael Garciá Bernal, Peter Dinklage and Whoopi Goldberg for the funeral.
CHICAGO – “Something Borrowed” is just a stupid, stupid movie. It’s not painful nor as horrendous as many recent romantic comedies largely through the overall likeability of star Ginnifer Goodwin, but it’s just stupid. It features stupid people doing stupid things and serves as more of a cautionary tale about picking the right people to support you than it does as any sort of modern romance. With too-little chemistry as friends or lovers, “Something Borrowed” never clicks. It should disappear soon from Blu-ray and DVD shelves and all but the most diehard fans of the romantic genre or the stars involved should give it back.
CHICAGO – Colin Egglesfield is in an enviable position. In his major film debut, “Something Borrowed,” he is engaged to Kate Hudson, and also shows his affection for Ginnifer Goodwin. He is torn between two lovers, but handles both with natural charm.
CHICAGO – Wedding movies, the wedding industrial complex, weddings as women’s literature, where does it end? (divorce) It’s that time of year, and the wedding film makes its ritualistic appearance, here represented by the morally bankrupt “Something Borrowed.”
CHICAGO – As the Oscars are almost upon us, several studios have been releasing Academy Award juggernauts of the past like “Raging Bull,” “Dances With Wolves,” and “The Color Purple.” Consider the re-release of “Almost Famous,” in its “Untitled” form exclusively at Best Buy, an ugly duckling cousin of these releases. Yes, it won the Oscar for Best Original Screenplay (well-deserved) but it missed out on nods it should have received in multiple other categories. Yes, I’m still angry. “Almost Famous” is one of the best films of the ’00s and has held up beautifully since its release just over a decade ago.
CHICAGO – Michael Winterbottom’s “The Killer Inside Me” provoked such a strong response after its Sundance Film Festival premiere that the auteur behind “A Mighty Heart,” “9 Songs,” and “24 Hour Party People” was shunned by a crowd that typically embraces challenging films. What turned them? Check out Winterbottom’s daring film with Casey Affleck, Jessica Alba, Kate Hudson, and Simon Baker, now on Blu-ray and DVD.
CHICAGO – Michael Winterbottom’s ’50s-era neo-noir “The Killer Inside Me” creeps up on you in the creepiest possible way. Just as I was ready to write it off, I ended up caving in to its charms, or lack thereof. This film often seems as utterly cuckoo as its central antihero, and that’s what makes it so darn mesmerizing. Sure, it’s sort of a mess, but boy is it engrossing, with a strong emphasis on the gross.