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Chloe Grace Moretz

Film Review: Pointless Trip Back to ‘Neighbors 2: Sorority Rising’

CHICAGO – The original “Neighbors” was a funny enough movie, that still boasted at least a couple of big laughs. “Neighbors 2: Sorority Rising” only manages the occasional chuckle here and there. As far as big budget studio comedy sequels go, it’s not as bad as “The Hangover 2.” It’s more in line with “Ghostbusters 2”.

Film Review: ‘The 5th Wave’ Crashes, Then Slowly Dissipates

CHICAGO – Is there ever an end to the Young Adult Dystopia genre (“Hunger Games,” “Maze Runner,” etc.)? Or are we cursed with the end of the world every year, if it weren’t for those meddling kids? “The 5th Wave” is the latest adaptation, and if you haven’t read the source novel, good luck following it.

Film Review: ‘Laggies’ Lags Behind With Connect-the-Dots Story

CHICAGO – Apparently “Laggies” is a term which does mean one is “lagging behind” in the growing-up-to-be-an-adult requirement. The term is the title of a new comedy, which places the main character in a high concept situation, which only resides in the parallel universe of movieland.

Film Review: Overall Story of ‘The Equalizer’ Doesn’t Add Up

CHICAGO – You could call “The Equalizer” a bit of an underachiever. It re-teams Oscar winner Denzel Washington with his “Training Day” director Antoine Fuqua for a movie remake of a 1980’s TV show with a cult following, but the film as a whole adds up to less than the sum of its parts.

Film Review: ‘If I Stay’ Can’t Rinse its Too-Sudsy Soap Opera

CHICAGO – We hate it when they grow up. Chloë Grace Moretz, a former child actor, takes on a first-teen-love role, and the results are decidedly mixed. The extreme emotions, the circumstances and Ms. Moretz’s performance undermine the soapy “If I Stay.”

Exclusive Portraits: Chloë Grace Moretz For New Film ‘If I Stay’

CHICAGO – Chloë Grace Moretz has grown up onscreen, and the former child actor is now a teenager in the new film “If I Stay.” Recently, she was in the area promoting the film, handing out free cupcakes to fans and admirers at the Sprinkle Cupcakes store in downtown Chicago.

2014 Sundance Diary, Day 2: New Filmmakers Lead the Way

Sundance has always been an interesting blend of new and old; domestic and international; star power and new faces. In the last 24 hours, the two movies that struck the loudest chord with me come from young filmmakers, and that couldn’t make me happier.

Film Review: Performances Carry Update of Horror Classic ‘Carrie’

CHICAGO – Director Kimberly Peirce (“Boys Don’t Cry”) doesn’t convey the dread or atmosphere of Stephen King’s “Carrie” to a degree that elevates it to the source material’s true potential but she does handle performance in a way that’s rare in the genre, making this remake one of the best horror films of the season.

Interview: Chloe Grace Moretz Takes on Iconic Role of ‘Carrie’

Chloe Grace Moretz is only 16 and already has 50 credits to her name, including “(500) Days of Summer,” “Kick-Ass,” and “Let Me In.” She filmed “The Amityville Horror” remake on the North side of the city when she was only 5 and returned this week to talk about starring in her first lead role, the title part in Kimberly Peirce’s remake of the Stephen King classic, “Carrie.”

Film Review: Disappointing ‘Kick-Ass 2’ Replaces Style with Vulgarity

CHICAGO – More vulgar, violent, and generally vile than the first film, “Kick-Ass 2” is one of those incredibly annoying films that actually will mar the legacy of its predecessor by association. Writer/director Jeff Wadlow entirely misplaces the priorities of the first film, thinking that the sequel needs to be more extreme, even if that’s at the expense of style and intelligence.

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  • King and I, The

    CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.

  • New Country

    CHICAGO – The Country Music industry has become as huge as any category of music entertainment. So Mark Roberts, the creator of the TV sitcom “Mike & Molly,” has fashioned a boisterous new play about the machinations of that genre of music industry, and gave it the plaintive title of “New Country.”

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