CHICAGO – If you can remember the 1990s outside of childhood, you are in the glow of middle age, so congratulations. The Brown Paper Box Co. theater ensemble takes us back to those thrilling days of yesteryear with “Spike Heels,” a relationship comedy centering on the co-mingling antics of two couples, with a slight nod toward George Bernard Shaw and the play “Pygmalion” (or its musical counterpart, “My Fair Lady”).
Chloe Grace Moretz
CHICAGO – Apparently “Laggies” is a term which does mean one is “lagging behind” in the growing-up-to-be-an-adult requirement. The term is the title of a new comedy, which places the main character in a high concept situation, which only resides in the parallel universe of movieland.
CHICAGO – You could call “The Equalizer” a bit of an underachiever. It re-teams Oscar winner Denzel Washington with his “Training Day” director Antoine Fuqua for a movie remake of a 1980’s TV show with a cult following, but the film as a whole adds up to less than the sum of its parts.
CHICAGO – We hate it when they grow up. Chloë Grace Moretz, a former child actor, takes on a first-teen-love role, and the results are decidedly mixed. The extreme emotions, the circumstances and Ms. Moretz’s performance undermine the soapy “If I Stay.”
CHICAGO – Chloë Grace Moretz has grown up onscreen, and the former child actor is now a teenager in the new film “If I Stay.” Recently, she was in the area promoting the film, handing out free cupcakes to fans and admirers at the Sprinkle Cupcakes store in downtown Chicago.
Sundance has always been an interesting blend of new and old; domestic and international; star power and new faces. In the last 24 hours, the two movies that struck the loudest chord with me come from young filmmakers, and that couldn’t make me happier.
CHICAGO – Director Kimberly Peirce (“Boys Don’t Cry”) doesn’t convey the dread or atmosphere of Stephen King’s “Carrie” to a degree that elevates it to the source material’s true potential but she does handle performance in a way that’s rare in the genre, making this remake one of the best horror films of the season.
Chloe Grace Moretz is only 16 and already has 50 credits to her name, including “(500) Days of Summer,” “Kick-Ass,” and “Let Me In.” She filmed “The Amityville Horror” remake on the North side of the city when she was only 5 and returned this week to talk about starring in her first lead role, the title part in Kimberly Peirce’s remake of the Stephen King classic, “Carrie.”
CHICAGO – More vulgar, violent, and generally vile than the first film, “Kick-Ass 2” is one of those incredibly annoying films that actually will mar the legacy of its predecessor by association. Writer/director Jeff Wadlow entirely misplaces the priorities of the first film, thinking that the sequel needs to be more extreme, even if that’s at the expense of style and intelligence.
HollywoodChicago.com Hookup: 25 Pairs of ‘Kick-Ass 2’ Tix with Aaron Taylor-Johnson, Chloë Grace MoretzSubmitted by HollywoodChicago.com on August 9, 2013 - 10:16pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 25 pairs of advance-screening movie passes up for grabs to the highly anticipated sequel “Kick-Ass 2” with Aaron Taylor-Johnson as Kick-Ass and Chloë Grace Moretz as Hit-Girl!
CHICAGO – “Dark Shadows” flops on the screen like an undead fish out of water. It doesn’t have one ounce of the spontaneity or style that made the work of its director, Tim Burton, or its star, Johnny Depp, so irresistible during their hot streak of the ’90s. The was back when Burton/Depp collaborations promised something more than peerless production values and morbid variations on familiar themes.