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American Dad!

TV Review: Sunday Nights on FOX Showing Serious Creative Fatigue

Family Guy 2012

CHICAGO – With shows like “Archer” and a still-creative “South Park” leading the way in TV animation along with all of the fascinating risks being taken by Adult Swim, what are we to make of a Sunday night lineup on FOX that feels more creatively stagnant than ever?

TV News: FOX Announces 2010 Premiere Dates For ‘House,’ ‘Glee,’ ‘Fringe,’ More

Lonestar

CHICAGOFOX has announced the premiere dates for their hit Fall 2010 lineup including the start of the new drama “Lone Star,” new comedies “Raising Hope” and “Running Wilde,” along with returning hits like “House,” “Glee,” “Fringe,” “Hell’s Kitchen,” “Bones,” “Fringe,” “Human Target,” “The Good Guys,” “The Simpsons,” “The Cleveland Show,” “Family Guy,” and “American Dad!”.

Blu-Ray Review: ‘Seth MacFarlane’s Cavalcade of Cartoon Comedy’

Cavalcade of Comedy

CHICAGO – Fans of “American Dad!” and “Family Guy” should definitely take a look at “Seth MacFarlane’s Cavalcade of Cartoon Comedy,” a Blu-Ray release of short animated films in the same style as the random, tangential asides that helped make Stewie Griffin a household name.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • 47 Ronin with Keanu Reeves

    CHICAGO – If you’ve ever wondered what the difference is between a director and a producer, let “47 Ronin” explain how the hierarchy of creativity hinders the evolution of even the most straightforward-sounding pitches. “47 Ronin” is the type of samurai movie set in Japan that features native actors speaking only English, while Keanu Reeves stars as an outsider clearly plunked into the picture for stateside star power.

  • A Field in England (teaser)

    CHICAGO – I can’t recommend this more. “A Field in England” is a flashback and a flash forward all at once. It’s impossible to watch without thinking of great counter culture cinema. In fact when I saw it at Fantastic Fest 2013 it played as part of a double bill with Ken Russell’s “The Devils” (1971). They made perfect cinematic companion pieces. Russell’s film concerned a wayward priest desperate to protect his 17th century city from corruption in the Church only to fall victim to group hysteria when he is, ironically, accused of witchcraft by a jealous nun.

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