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The Good Guys

On WGN Radio: HollywoodChicago.com’s Brian Tallerico on Bubble Shows Including ‘Chuck,’ ‘The Chicago Code,’ ‘Blue Bloods,’ More

WGN Radio

CHICAGO – Brian Tallerico guests on Bill Moller’s show on WGN-Radio in Chicago on May 7, 2011 to take listener calls about bubble shows for the Fall 2011 schedule including “Blue Bloods,” “Chuck,” “Off the Map,” “The Good Guys,” “The Chicago Code,” “Harry’s Law,” “Traffic Light,” and more.

On WGN Radio: HollywoodChicago.com’s Brian Tallerico on Renewal Chances For Your Favorite TV Shows

WGN Radio

CHICAGO – HollywoodChicago.com content director Brian Tallerico speaks with WGN Radio host Bill Moller on Feb. 26, 2011 about the cancel/renew status of new TV shows including “Detroit 1-8-7,” “Human Target,” “Fringe,” “Blue Bloods,” “The Defenders,” “Justified,” “The League,” and more.

TV News: FOX Announces 2010 Premiere Dates For ‘House,’ ‘Glee,’ ‘Fringe,’ More

Lonestar

CHICAGOFOX has announced the premiere dates for their hit Fall 2010 lineup including the start of the new drama “Lone Star,” new comedies “Raising Hope” and “Running Wilde,” along with returning hits like “House,” “Glee,” “Fringe,” “Hell’s Kitchen,” “Bones,” “Fringe,” “Human Target,” “The Good Guys,” “The Simpsons,” “The Cleveland Show,” “Family Guy,” and “American Dad!”.

TV Review: New FOX Series ‘The Good Guys’ is Just Mediocre

The Good Guys

CHICAGO – Colin Hanks and Bradley Whitford seem like a pair of good guys in real life and the creator of their new show (Matt Nix of “Burn Notice”) has definitely been more-than-good in the past but their new action series, “The Good Guys” might be more correctly titled “The Mediocre Guys,” although that’s not quite as catchy.

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  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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