CHICAGO – “Drinking Buddies” director Joe Swanberg’s latest release of the same star wattage is “Happy Christmas,” an even lower-fi story than the Olivia Wilde beer comedy, steered even more by the casting that it was able to assemble. However, with this movie Swanberg doesn’t so much worry about having a story that could be confused with a more mainstream romantic comedy if it were to have a bigger budget.
CHICAGO – Though British author Neil Gaiman’s six-part, three-hour miniseries “Neverwhere” first aired in 1996, it feels like a relic from a much earlier period in television’s past. Before digital technology enabled small-screen dramas to appear visually indiscernible from major film productions, in-camera effects and handcrafted sets were the norm. It’s inspiring to observe just how much can be achieved on a shoestring budget.
ATLANTA – Sometimes human tragedy hits dramatically, but other times it subtly, imperceptibly, alters the intrinsic fibers of everyday life in undetectable ways. That is the premise behind Scott Hicks’ film “The Boys Are Back.” It is the story not of death, but of the strategy human beings devise to cope, to defend and to protect themselves against pain and loss.