Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.
Breaking the Waves
It’s hard to overstate the shock waves that Lars Von Trier’s “Breaking the Waves” made when it was released in 1996. It’s not as if LVT was a completely unknown commodity but this was a new level for the filmmaker in the way he both played with his form and embraced larger-than-life imagery. “Breaking the Waves” was both grounded in classic themes and felt like the coming-out party for Dogme, the movement founded by LVT that embraced natural filmmaking techniques like handheld cameras and sunlight.
CHICAGO – One of the most reliable scenarios in the horror movie playbook is the satanic possession of a human character. “Antichrist” is about a woman who isn’t possessed, but is nevertheless absolutely convinced that she is an instrument of the devil. This is a much scarier premise, since the greatest horrors externalized in the film are spawned entirely from the woman’s unstable psyche, deranged by guilt.
Red Carpet: Willem Dafoe at the 2009 Chicago International Film Festival in Lars von Trier’s ‘Antichrist’Submitted by PatrickMcD on October 14, 2009 - 10:50am
CHICAGO – Willem Dafoe, the intense and excitable actor in so many classic films, walked the red carpet at the Chicago International Film Festival October 12th, representing the premiere of his new film with director Lars von Trier, “Antichrist.”