Jason Statham has become an amorphous blob in the action genre, but an amorphous blob who is his own archetype, nonetheless. With the “Expendables” movies he began to take the genre torch from Sylvester Stallone, and now working from a script by Stallone in “Homefront”, his Americanization is nearly certified. That being said, watching Jason Statham tattoo a bald eagle on himself might be more enjoyable than his latest addition to a bloated filmography, “Homefront”. That, or staging a debate with Stallone and Statham about gun control.
CHICAGO – Playing not unlike a much darker version of “Zombieland” (in that the post-apocalyptic creatures are similar and the veteran/rookie duo at the core not far off Woody & Jesse), “Stake Land” is a confident piece of genre filmmaking that not only deserves a wider audience but hints at truly great things to come for its talented director. It’s far from perfect but it’s incredibly promising, unlike the future of the characters it presents.
CHICAGO – The horror/comedy “Zombieland” is one of the few 2009 films to honestly deserve the overused phrase “thrill ride.” From the opening shots to the best post-credits tag in years, “Zombieland” attempts nothing but pure fun and completely delivers.