CHICAGO – The venerable musical “The King and I,” by the legendary team of (Richard) Rodgers and (Oscar) Hammerstein, is now 65 years old. The Lyric Opera of Chicago is injecting fresh life into this senior aged play, with a sumptuous new production that is top drawer at every level.
CHICAGO – Playing not unlike a much darker version of “Zombieland” (in that the post-apocalyptic creatures are similar and the veteran/rookie duo at the core not far off Woody & Jesse), “Stake Land” is a confident piece of genre filmmaking that not only deserves a wider audience but hints at truly great things to come for its talented director. It’s far from perfect but it’s incredibly promising, unlike the future of the characters it presents.
CHICAGO – The horror/comedy “Zombieland” is one of the few 2009 films to honestly deserve the overused phrase “thrill ride.” From the opening shots to the best post-credits tag in years, “Zombieland” attempts nothing but pure fun and completely delivers.