HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

It’s Been ‘A Hard Day’s Night’ Then, Now & Forever

Printer-friendly versionPrinter-friendly versionE-mail page to friendE-mail page to friendPDF versionPDF version
Average: 5 (1 vote)
HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – If you are lucky enough to have the 50th Anniversary edition of “A Hard Day’s Night” playing in your area, drop everything and go see it, especially if you’ve never seen it before. The Beatles – John Lennon, Paul McCartney, George Harrison and Ringo Starr – are ageless and timeless in a new print restoration and sound remastering of their 1964 debut film.

There is no way to describe the luck and timing of the music phenomenon called “The Beatles.” They were four guys in a rock band, but they virtually influenced everything the 1960s had to offer, due to the perfect moment they entered the arena and fired their creativity into the mass production era of record albums and baby boomers. Their first film was a coming together of the right screenwriter (Alun Owen) and the perfect director (Richard Lester), who captured a zeitgeist as it was happening and interpreted it for the ages. The boys themselves, who had never acted before, create a rock music Marx Brothers-style romp, both anarchistic and damn funny. Nothing was the same after “A Hard Day’s Night” regarding rock ‘n roll movies, and nothing reached its giddy heights for cultural impact since. As was said back in the day, it was “ … the Citizen Kane of jukebox musicals.”

The film follows a typical day for the lads from Liverpool – The Beatles. After avoiding a hysterical mob of screaming fans, John (John Lennon), Paul (Paul McCartney), George (George Harrison) and Ringo (Ringo Starr) take a train to their next destination, a TV appearance in London. Their antics exasperate their manager and roadie, Norm (Norman Rossington) and Shake (John Junkin).

The Beatles
They’re Coming! The Beatles in ‘A Hard Day’s Night’
Photo credit: Janus Films

To make matters worse, Paul’s grandfather Jim (Wilfred Brambell) is along for the ride, and he cooks up various schemes so he can live the high life. During rehearsals for the TV show, he forges their autographs, to sell the photos to the masses. The Beatles themselves just want to get away it from it all, and Ringo succeeds in running away from the show, which freaks out the director (Vincent Spinetti). Paul’s grandfather is arrested for selling the pictures, Ringo is arrested as a vagrant, and the rest the boys have to spring them just in time for the big show.

The comedy in the film is hysterical, part satire and part silliness. That would be good enough for most, but the soundtrack – remastered by Giles Martin, the son of original producer George Martin – is simply spectacular. From the opening chord of the title song, to the bright “I Should Have Known Better,” the sublime “If I Fell,” the happy “Can’t Buy Me Love” and the romantic “And I Love Her,” among all the others, is possibly the best soundtrack of any rock musical.

The devil was in the details for the success of “A Hard Days Night,” and director Richard Lester – who had made his reputation as the auteur of the Academy Award nominated short, “The Running Jumping & Standing Still Film” – used a radical cinéma vérité style to capture the story, giving it an energy that hadn’t been seen in that type of film. Wilfred Brambell, Paul’s grandfather, was already a TV star in Britain, and contributes the necessary absurdity in contrast to the new young actors.

It’s a bit strange to experience the film today, considering what subsequently happened to John, Paul, George and Ringo separately. It’s a sad reminder that John and George are no longer with us, and their performances are focused on a bit more because of that fact. John, for example, seems like a ghost hovering over the proceedings, and of course is the subject of the classic final line. George is perfect in his key scene, and Ringo liked doing the film so much he had a pretty good career as an actor afterward. Paul is asked to do some heavy lifting as his grandfather’s keeper, and actually has most of the weird emotions associated with it, including threatening their management team with physical violence. I hope he still enjoys the film.

Wilfred Brambell, John Lennon
Very Clean: Paul’s Grandfather (Wilfred Brambell) and John Lennon in ‘A Hard Day’s Night’
Photo credit: Janus Films

As a second generation Beatles admirer, I saw the film during its 1982 release – on which the producers stuck a prologue that Richard Lester hadn’t approved – and at the 20th, 25th, 30th, 35th, 40th, etc. anniversaries. “A Hard Day’s Night” never gets old, only I do. In fact, after the current screening, so magnificent, I thought to myself, “youth is fleeting!” – but great movies stay the same forever, and this film was part of the evolution revolution.

This was The Beatles before fame forced them to stop touring, before the break-up, before the shots on a New York City street, before “All Those Years Ago,” before disease, old age and more passings. “…And when I get home to you, I find the things that you do, we’ll make me feel all right. You know I feel all right.”

The 50th Anniversary edition of “A Hard Day’s Night” has a limited release, including Chicago, on July 4th. See local listings for theaters and show times. Featuring John Lennon, Paul McCartney, George Harrison, Ringo Starr, Wilfred Brambell, Norman Rossington, John Junkin and Victor Spinetti. Screenplay by Alun Owen. Directed by Richard Lester. Not Rated.

HollywoodChicago.com senior staff writer Patrick McDonald

By PATRICK McDONALD
Senior Staff Writer
HollywoodChicago.com
pat@hollywoodchicago.com

© 2014 Patrick McDonald, HollywoodChicago.com

Post new comment

The content of this field is kept private and will not be shown publicly.
CAPTCHA
This question is for testing whether you are a human visitor and to prevent spam submissions.
Image CAPTCHA
Enter the characters shown in the image.

User Login

Free Giveaway Mailing

TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bobby Pin Girls

    CHICAGO – The “breeder years” are difficult on everyone, as the biological imperative becomes overwhelming and the couplings that result yield both discovery and misadventure. Nothing Without a Company’s new play “Bobby Pin Girls” highlight two such Millennial women, roommates who are having man trouble, although the argument can be made that it’s eternally “boy trouble.” The show has a Thursday-Sunday run at the Chicago Mosaic School through December 10th, 2017. Click here for more details, including ticket information.

  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

Advertisement



HollywoodChicago.com on Twitter

archive

HollywoodChicago.com Top Ten Discussions
tracker